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This collection of essays analyzes the various manifestations of racism in Gothic narratives: literature, film, TV, architecture. The primary goal of the volume is to contribute to the nascent field of Postcolonial Gothic Studies.

Dracula: A Study of Editorial Practices focuses on deconstructing sanctioned Dracula criticism which, for decades, has constructed Transylvania as the land of the vampires. The present study is an unforgiving close look at scholarly editions of Stoker's novel and shows that the scholarship and the editorial practices are flawed. Following in the Saidian tradition, this study makes the case that the editors of Dracula have misrepresented Transy...

Gothic is a culture of alterity: it explores the Other and it posits itself as an Other. It found its roots in the concerted efforts of eighteenth-century authors who longed for the simple and exciting plotlines of mediaeval romances. At the same time, they were careful to populate other countries and/or other eras with ghosts, vampires, and monstrous villains. More recently, Gothic studies have flourished alongside a plethora of Gothic fictio...

*A long overdue study of the social, political and cultural context of Bram Stoker's Dracula * A welcome addition to Dracula studies, using British and Romanian sources * A postcolonial look at Dracula * The book argues that Stoker was at least in part inspired by the marriage of Vlad Tepes' descendant, Mary of Teck, to the future king George V.

*Versatile selection of 90 poets in 200 pages *More poets in fewer pages than any other anthology * Prepared for an undergraduate course of Victorian poetry or Victorian literature * Poems arranged in a chronological order, covering the entire reign of Queen Victoria (1837-1901) * Includes a wide range of significant poems: major, controversial, socially involved, militant, satirical, children's verse * The selection reflects the changing poet...

onsters seem to be here to stay. Though we have left belief in the supernatural and "realness" of monsters in the past, we continue to craft monstrous narratives which delve into the depths of the human subconscious. In certain cases, we love to love the monster. In others, we bond over mutual desire to see it conquered, vanquished. The inherent mutability of the monster provides us with endless opportunities to reimagine, reenvision, and ...