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The book explores the complex web of relationships between Ideologies and Literary metaphors overs the ages, without getting weighed down by the traditional explanations and discourses.

The fervent zeal for canonisation seems to be peaking during the age of Romanticism which inspired the coming together of sciences and arts, inaugurating the epochal moments of the final transition to a collective understanding of the vaster forces that underlie the artistic perceptions, ethos and scientific rationale that underlie the artist's preoccupied self. In the momentous and radical transformations that Institutions, Academies and Univ...