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In this book five prominent contemporary artists have each compiled a personal selection of Edvard Munch's drawings. Munch drew more or less daily throughout his long life and left behind approximately 7700 drawings. Each of the five selections provide a unique glimpse into this abundant material and is presented together with works by the artists, and an interview in which they reflect on Munch's drawings and their own art. This book is publi...

In this rich, highly illustrated book, Mieke Bal takes us on a journey through the range of her work, using the concept of image-thinking as a point of connection between cultural analysis and artistic practice. Bal teaches us how to think with images, but also how to write and think as artists and writers about our own creative work.

In this rich, highly illustrated book, Mieke Bal takes us on a journey through the range of her work, using the concept of image-thinking as a point of connection between cultural analysis and artistic practice. Bal teaches us how to think with images, but also how to write and think as artists and writers about our own creative work.

Narratology in Practice draws on various cultural domains to explain the ways in which theory illuminates the presence of narrative.

Narratology in Practice draws on various cultural domains to explain the ways in which theory illuminates the presence of narrative.

This collection of essays aims to make the workings of culture understandable through interdisciplinary analysis, demonstrating what the point of "theory" is for the practice of the analysis of culture. The contributors include Parveen Adams, Jane Beckett and Griselda Pollock.

This collection of essays aims to make the workings of culture understandable through interdisciplinary analysis, demonstrating what the point of "theory" is for the practice of the analysis of culture. The contributors include Parveen Adams, Jane Beckett and Griselda Pollock.

Explores the potential for interdisciplinary methodology between literature and visual art.

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Over a number of meetings, the theorist, critic, video artist and occasional curator Mieke Bal (born 1946) engaged in a conversation on the art of teaching with the cultural analyst Jeroen Lutters. Looking for a dialogue that would also touch on the role of visual art, Lutters brought in paintings by Banksy, Rembrandt, Marlene Dumas and George Deem as "teaching objects"--one for each conversation. Lutters asked Bal what these paintings might h...

Providing insights into how readers interpret narrative texts, Narratology: Introduction to the Theory on Narrative, Fourth Edition, is a guide for students and scholars seeking to analyze narratives of any language, period, and region with clear, systematic, and reliable concepts.

Providing insights into how readers interpret narrative texts, Narratology: Introduction to the Theory on Narrative, Fourth Edition, is a guide for students and scholars seeking to analyze narratives of any language, period, and region with clear, systematic, and reliable concepts.

Looking at a wide range of subjects, from paintings by Rembrant to twentieth-century artists and literary texts, the author examines the act of showing and examines display.

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Mieke Bal is Professor of Literary Theory at the University of Amsterdam and co-founder of the Amsterdam School for Cultural Analysis, Theory, and Interpretation. The most recent of her many books is The Mottled Screen: Reading Proust Visually (Stanford, 1997).

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Bal's focus for this book is the idea that interdisciplinarity in the humanities ? necessary, exciting, serious ? must seek its heuristic and methodological basis in concepts rather than its methods.