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Angela Brazil (1868-1947) was the first of the British writers of "modern" School Girls' Stories genre - written from the characters' point of view. Along with her sister Amy, Angela then studied at Heatherley School of Fine Art in London. She was quite late in taking up writing, developing a strong interest in Welsh mythology, and at first wrote a few magazine articles on mythology and nature. It was possibly thanks to her sister Amy that she...

Angela Brazil (1868-1947) was the first of the British writers of "modern" School Girls' Stories genre - written from the characters' point of view. Along with her sister Amy, Angela then studied at Heatherley School of Fine Art in London. She was quite late in taking up writing, developing a strong interest in Welsh mythology, and at first wrote a few magazine articles on mythology and nature. It was possibly thanks to her sister Amy that she...

Angela Brazil (1868-1947) was the first of the British writers of "modern" School Girls' Stories genre - written from the characters' point of view. Along with her sister Amy, Angela then studied at Heatherley School of Fine Art in London. She was quite late in taking up writing, developing a strong interest in Welsh mythology, and at first wrote a few magazine articles on mythology and nature. It was possibly thanks to her sister Amy that she...

Angela Brazil (1868-1947) was the first of the British writers of "modern" School Girls' Stories genre - written from the characters' point of view. Along with her sister Amy, Angela then studied at Heatherley School of Fine Art in London. She was quite late in taking up writing, developing a strong interest in Welsh mythology, and at first wrote a few magazine articles on mythology and nature. It was possibly thanks to her sister Amy that she...

Angela Brazil (1868-1947) was the first of the British writers of "modern" School Girls' Stories genre - written from the characters' point of view. Along with her sister Amy, Angela then studied at Heatherley School of Fine Art in London. She was quite late in taking up writing, developing a strong interest in Welsh mythology, and at first wrote a few magazine articles on mythology and nature. It was possibly thanks to her sister Amy that she...

Angela Brazil (1868-1947) was the first of the British writers of "modern" School Girls' Stories genre - written from the characters' point of view. Along with her sister Amy, Angela then studied at Heatherley School of Fine Art in London. She was quite late in taking up writing, developing a strong interest in Welsh mythology, and at first wrote a few magazine articles on mythology and nature. It was possibly thanks to her sister Amy that she...

Angela Brazil (1868-1947) was the first of the British writers of "modern" School Girls' Stories genre - written from the characters' point of view. Along with her sister Amy, Angela then studied at Heatherley School of Fine Art in London. She was quite late in taking up writing, developing a strong interest in Welsh mythology, and at first wrote a few magazine articles on mythology and nature. It was possibly thanks to her sister Amy that she...

Gwen! Gwen Gascoyne! Gwen! Anybody seen her? I say, have you all gone deaf? Don't you hearme? Where's Gwen? I-want-Gwen-Gascoyne!"The speaker-Ida Bridge-a small, perky, spindle-legged Junior, jumped on to the nearest seat, andraising her shrill voice to its topmost pitch, twice shouted the "Gwen Gascoyne", with an aggressiveenergy calculated to make herself heard above the babel of general chatter that pervaded theschoolroom. Her effort, thoug...

Angela Brazil (1868-1947) was the first of the British writers of "modern" School Girls' Stories genre - written from the characters' point of view. Along with her sister Amy, Angela then studied at Heatherley School of Fine Art in London. She was quite late in taking up writing, developing a strong interest in Welsh mythology, and at first wrote a few magazine articles on mythology and nature. It was possibly thanks to her sister Amy that she...

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This book has been considered important throughout the human history, and so that this work is never forgotten we have made efforts in its preservation by republishing this book in a modern format for present and future generations. This whole book has been reformatted, retyped and designed. These books are not made of scanned copies and hence the text is clear and readable.

The book " A Fourth Form Friendship A School Story " has been considered important throughout the human history, and so that this work is never forgotten we have made efforts in its preservation by republishing this book in a modern format for present and future generations. This whole book has been reformatted, retyped and designed. These books are not made of scanned copies and hence the text is clear and readable.

Girls! Girls everywhere! Girls in the passages, girls in the hall, racing upstairs and scurrying downstairs, diving into dormitories and running into classrooms, overflowing on to the landing and hustling along the corridor-everywhere, girls! There were tall and short, and fat and thin, and all degrees from pretty to plain, girls with fair hair and girls with dark hair, blue-eyed, brown-eyed, and grey-eyed girls, demure girls, romping girls, c...

Mother, don't laugh!" "It would be rather difficult, I own, " said Mrs. Lindsay, trying to straighten her face. "I'm afraid you made an unfortunate choice in your knight." "It's just as bad, " continued Sylvia, "if you pretend you're somebody out of a book yourself. So much depends upon other people. I was Rowena in Ivanhoe yesterday. I had to be rather haughty, because, you see.

It's 1910, and thirteen-year-old Patty Hirst has just been offered the opportunity of a lifetime. Her wealthy uncle will pay for her to join her cousin Ruby at the exclusive Morton Priory College, if Patty will undertake to be a loyal companion to his daughter. Unfortunately, Ruby seems to loathe Patty and rebuffs her every attempt to fulfil her obligations. As Ruby treats her with increasing hostility, Patty is more determined than ever to ke...

Oh, don't all begin to expatiate about your feelings!" broke in Chatty Burns. "We know Pauline's symptoms only too well: the first day she shows aggressively red eyes and a damp pocket-handkerchief, the second day she writes lengthy letters home, begging to be allowed to return immediately and have lessons with a private governess, the third day she wanders about, trying to get sympathy from anyone who is weak-minded enough to listen to her, t...

Angela Brazil (30 November 1868 - 13 March 1947) was one of the first British writers of "modern schoolgirls' stories", written from the characters' point of view and intended primarily as entertainment rather than moral instruction. In the first half of the 20th century, she published nearly 50 books of girls' fiction, the vast majority being boarding school stories. She also published numerous short stories in magazines. Her books were comme...

This Book "The Madcap of the School" has been considered important throughout the human history, and so that this work is never forgotten we have made efforts in its preservation by republishing this book in a modern format for present and future generations. This whole book has been reformatted, retyped and designed. These books are not made of scanned copies of their original work and hence the text is clear and readable.

The book " The Fortunes of Philippa A School Story " has been considered important throughout the human history, and so that this work is never forgotten we have made efforts in its preservation by republishing this book in a modern format for present and future generations. This whole book has been reformatted, retyped and designed. These books are not made of scanned copies and hence the text is clear and readable.

The book " A Fortunate Term " has been considered important throughout the human history, and so that this work is never forgotten we have made efforts in its preservation by republishing this book in a modern format for present and future generations. This whole book has been reformatted, retyped and designed. These books are not made of scanned copies and hence the text is clear and readable.