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Brook hat Shakespeares Werke inszeniert und sein ganzes Leben lang kommentiert. In neun sehr persönlichen Essays reflektiert die Regielegende seine lebenslange Auseinandersetzung mit dem Phänomen Shakespeare und erklärt, wie Leser, Zuschauer, Schauspieler und Regisseure dem 450 Jahre alten Dramatiker begegnen können. »Dies ist keine akademische Arbeit. Es ist eine reihe von Eindrücken, Erfahrungen und vorläufigen Schlußfolgerungen. Die Einzig...

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One of the world's most revered theatre directors reflects on a fascinating variety of Shakespearean topics.

Grotowski è unico. Perché? Perché nessun altro al mondo, nessuno dopo Stanislavskij, di mia conoscenza, ha esplorato la natura della recitazione, il fenomeno che la costituisce, il suo significato, la scienza dei suoi processi, sia psichici che fisici o emozionali, così profondamente e pienamente come Grotowski". Dal primo incontro avvenuto negli anni sessanta, fino alla scomparsa di Jerzy Grotowski (1933-1999), Peter Brook ha colto l'importan...

This book addresses the function of fiction in the creation of an historical myth and the uses of myth over time. The subject of the case study is the popular image of August the Strong (1670-1733), Elector of Saxony and King of Poland, a figure who has frequently been portrayed as possessing extraordinary sexual prowess and ruling over a magnificent, but frivolous, court in Dresden. The author locates the origins of this myth in the art and l...

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PERFORMING ARTS / Theater / General

First there was the master conjurer adept at musicals, farces, opera and Shakespeare. Then there was the philosopher-king ... who has devoted his energies to a quest for a theatre that was simple in form and rich in meaning." - Michael Billington The theatre's greatest contemporary director tells the story of his life.Peter Brook was the modern stage's greatest inventor. For over 50 years he held audiences spellbound with his critically accla...

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One of the world's most revered theatre directors reflects on the world's most revered playwright.

The chronicle of the evolution of an extraordinary artistic intelligence, a man whose interests range worldwide from film to theater to myth and the inner life, "Threads of Time" offers the memoir of Peter Brook, whom "The New York Times" has called "the English-speaking world's most eminent director". of photos.

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From King Lear to the Tragedy of Carmen, " "from Marat/Sade to the epic Mahabharata, Peter Brook has reinvented modern theatre, not once but again and again. In The Open Door the visionary director and theorist offers a lucid, comprehensive exposition of the philosophy that underlies his work. It is a philosophy of paradoxes: We come to the theatre to find life, but that life must be different from the life we find outside. Actors have to prep...

Using Oliver Sacks' neurological study "The Man Who Mistook His Wife for a Hat" as its inspiration, "The Man Who" offers a series of doctor/patient scenarios that examine our attempts to understand the workings of the brain.

Der Band enthält drei Texte von Peter Brook über Shakespeare: »Evokation Shakespeare«, »Vergessen Sie Shakespeare«, »König Lear: Das Stück ist der Weg. Ein Gespräch mit Georges Banu« und den Vortrag »Evokation Shakespeare«, den Brook 1996 in der Berliner Schaubühne hielt.

Peter Stephen Paul Brook CH CBE (born 21 March 1925) is a highly influential British theatrical producer and director.During the 1950s he worked on many productions in Britain, Europe, and the USA, and in 1962 returned to Stratford-upon-Avon to join the newly established Royal Shakespeare Company (RSC). Throughout the next the 1960's he directed many ground breaking productions for the RSC before in 1970 forming The International Centre for Th...

Der Klassiker der modernen Theaterliteratur. 'Kein Regisseur hat das moderne Theater in Westeuropa stärker beeinflußt als Peter Brook, die Spuren seiner Theaterarbeit lassen sich mühelos in die Gegenwart verfolgen. Beharrlich hat er sich dem Theaterbetrieb mit seiner eingefahrenen Rhetorik widersetzt und statt dessen die Unberechenbarkeit des Theaterereignisses betont. 'Die Wahrheit im Theater ist immer auf Wanderschaft', schrieb der Regisseur...

Gurdjieff gebraucht häufig das Bild des Schauspielers als Metapher für den voll entwickelten Menschen. Er spricht davon, es gelte, im Leben eine Rolle zu spielen, alle Forderungen zu erfüllen, die die wechselnden Situationen mit sich bringen, sie vollständig auf sich zu nehmen, ohne dabei die innere Freiheit zu verlieren. Dies ist genau das, was von einem guten Schauspieler erwartet wird.'Peter Brook

Peter Brook is one of the artistic geniuses of our time."--The San Francisco Chronicle¶The first paperback edition of this major collection of essays--the culmination of forty years' work by one of the most thoughtful directors in contemporary theatre.