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Mo the raccoon was bored. "There must be SOMETHING amazing I can do, " he says. So he sets off to the zoo to find something to do. He tries serving ice-cream cones but ends up making a huge mess. He decides to give his friends new hairstyles, but that turns into a disaster. "Everything's gone wrong!" Mo sighs. Then he learns that someone has stolen a valuable statue from the zoo. It's up to Mo to save the day!

The importance of public space in supporting city economies and in contributing to poverty reduction is rarely recognized. Instead, public space is more often an arena for contest--between municipal governments or other vested interests, and street traders, whose activities are proscribed by restrictive social norms, ambiguous legal status, street violence, or an official response that vacillates between indifference and eviction. This book br...

Brown demonstrates how Florentine thinkers used Lucretius-earlier and more widely than has been supposed-to provide a radical critique of prevailing orthodoxies. She enhances our understanding of the "revolution" in sixteenth-century political thinking and our definition of the Renaissance within newly discovered worlds and new social networks.

When disaster strikes the Golden Dodo Zoo, it's up to one small, but SUPER!, raccoon to save the day!

Explores the connection between epistemological and moral "lying, " interspersing a phenomenology of deceit with a continuing dialogue between the phenomenologist and one of her students.

This book describes and examines the fear of exposure one faces when creating for cultural consumption. Examining the work of Cixous, Foucault, Irigaray, Spinoza, Hegel, Hakim Bey, Heidegger, Kathy Acker, Derrida, and Kierkegaard, the author finds spaces where fear and anxiety give way to connection and community.

In 1925, Beatrice Blackwood of the University of Oxford's Pitt Rivers Museum took thirty-three photographs of Kainai people on the Blood Indian Reserve in Alberta as part of an anthropological project. In 2001, staff from the museum took copies of these photographs back to the Kainai and worked with community members to try to gain a better understanding of Kainai perspectives on the images. 'Pictures Bring Us Messages' is about that process, ...

The story of the Franklin Motor Expedition that collected First Nations artifacts on the Prairies in 1929 as well as a larger study of the relationships between museums and the indigenous peoples whose heritage items they house.

When disaster strikes the Golden Dodo Zoo, it's up to one small, but SUPER!, raccoon to save the day!

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Alison K. Brown is a lecturer in anthropology at the University of Aberdeen, Scotland.

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