18 Ergebnisse.

Failed loves...Failed lives...Poems that are not poetry...Confessions that are not true...Lies that are not false...Michael Bryson is Professor of English at California State University, Northridge. He is more scholar than poet, and more musician than scholar, though perhaps these three are one.

The exciting new book argues for a renewed emphasis on humanism--contrary to the trend of post-humanism, or what Neema Parvini calls "the anti-humanism" of the last several decades of literary and theoretical scholarship.

In The Lizard and Other Stories, Michael Bryson's third trade paperback, the style is conversational and colloquial, his subjects are usually plainspoken men and confused adolescents. While not exactly gritty or subversive, Bryson's allegiances do seem rooted in the contemporary, urban and working-class.

The Routledge Companion to Humanism and Literature provides readers with a comprehensive reassessment of the value of Humanism in an intellectual landscape.

This book is a history of love and the challenge love offers to the laws and customs of its times and places, as told through poetry from the Song of Songs to John Milton's Paradise Lost. It is also an account of the critical reception afforded to such literature, and the ways in which criticism has attempted to stifle this challenge. Bryson and Movsesian argue that the poetry they explore celebrates and reinvents the love the troubadour poets...

This book is a history of love and the challenge love offers to the laws and customs of its times and places, as told through poetry from the Song of Songs to John Milton's Paradise Lost. It is also an account of the critical reception afforded to such literature, and the ways in which criticism has attempted to stifle this challenge. Bryson and Movsesian argue that the poetry they explore celebrates and reinvents the love the troubadour poets...

The exciting new book argues for a renewed emphasis on humanism--contrary to the trend of post-humanism, or what Neema Parvini calls "the anti-humanism" of the last several decades of literary and theoretical scholarship.

Fifteen key art historians and cultural critics redefine the scope and concerns of scholarship on visual culture--a history of representation seen as something different from a history of art.

This book is a history of love and the challenge love offers to the laws and customs of its times and places, as told through poetry from the Song of Songs to John Milton's Paradise Lost. It is also an account of the critical reception afforded to such literature, and the ways in which criticism has attempted to stifle this challenge. Bryson and Movsesian argue that the poetry they explore celebrates and reinvents the love the troubadour poets...

This book is a history of love and the challenge love offers to the laws and customs of its times and places, as told through poetry from the Song of Songs to John Milton's Paradise Lost. It is also an account of the critical reception afforded to such literature, and the ways in which criticism has attempted to stifle this challenge.Bryson and Movsesian argue that the poetry they explore celebrates and reinvents the love the troubadour poets ...

Was John Milton-possibly the most famous 'Christian' poet in English literary history-an atheist? Among the author's goals in The Atheist Milton is to account for tensions over the idea of God which, in Bryson's view, go all the way back to Milton's earliest poetry. In this study, he argues such tensions are central to Milton's poetry-and to any attempt to understand that poetry on its own terms.

Keine Beschreibung.

Fifteen key art historians and cultural critics redefine the scope and concerns of scholarship on visual culture--a history of representation seen as something different from a history of art.

The work of John Charles Fremont, Richard Byrd, Charlotte Perkins Gilman, John Wesley Powell, Susan Cooper, Rachel Carson, and Loren Eiseley represents a widely divergent body of writing. Yet despite their range of genres -- including exploration narratives, technical reports, natural histories, scientific autobiographies, fictional utopias, nature writing, and popular scientific literature -- these seven authors produced strikingly connected ...

The work of John Charles Fremont, Richard Byrd, Charlotte Perkins Gilman, John Wesley Powell, Susan Cooper, Rachel Carson, and Loren Eiseley represents a widely divergent body of writing. Yet despite their range of genres -- including exploration narratives, technical reports, natural histories, scientific autobiographies, fictional utopias, nature writing, and popular scientific literature -- these seven authors produced strikingly connected ...

Was John Milton-possibly the most famous 'Christian' poet in English literary history-an atheist? Among the author's goals in The Atheist Milton is to account for tensions over the idea of God which, in Bryson's view, go all the way back to Milton's earliest poetry. In this study, he argues such tensions are central to Milton's poetry-and to any attempt to understand that poetry on its own terms.

In this highly original book Norman Bryson applied 'structuralist' and 'post-structuralist' approaches to French Romantic Painting.

Steeped in skepticism, the stories in Michael Bryson's first collection nonetheless radiate a deep hope. An incarcerated juvenile is glad for time to think. A street kid running from an abusive past finds comfort in a warm, safe bed. A cafe waitress contemplates the violent death of a stranger and moves on in her life with renewed vigour.