11 Ergebnisse.

This updated edition of The Monstrous Feminine includes an entirely new section examining feminist horror films of the new millennium in the context of abjection and nonhuman theory.

This updated edition of The Monstrous Feminine includes an entirely new section examining feminist horror films of the new millennium in the context of abjection and nonhuman theory.

This follow-up to the classic text of The Monstrous-Feminine analyses those contemporary films which explore social justice issues such as women's equality, violence against women, queer relationships, race and the plight of the planet and its multi-species.

This follow-up to the classic text of The Monstrous-Feminine analyses those contemporary films which explore social justice issues such as women's equality, violence against women, queer relationships, race and the plight of the planet and its multi-species.

Body Trade exposes myths surrounding the trade in heads, cannibalism, captive white women, the display of indigenous people in fairs and circuses, the stolen generations, the 'comfort' women and the making of the exotic/erotic body. This is a lively and intriguiung comtribution to the study of the postcolonial body.

Phallic Panic is not only an impressive and elegant work of scholarship, it breathes new life into debates around the horror film, illuminating the genre's eerie and unsettling power. Like her groundbreaking The Monstrous-Feminine, Creed's new book is destined to become a standard text in the field.'> 'Barbara Creed asks the question "what does man want?" and takes us on an exhilarating trip through the Freudian uncanny and horror cinema to pr...

Addresses the major gap in film scholarship - the influence of Charles Darwin's theories on the history of the cinema. This title argues that Darwinian ideas influenced the evolution of early film genres such as horror, the detective film, science fiction, film noir and the musical.

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Body Trade exposes myths surrounding the trade in heads, cannibalism, captive white women, the display of indigenous people in fairs and circuses, the stolen generations, the 'comfort' women and the making of the exotic/erotic body. This is a lively and intriguiung comtribution to the study of the postcolonial body.

Most critical writings on horror films conceptualise woman as victim. Creed challenges this view with a feminist psychoanalytic critique, discussing films such as Alien, I Spit on Your Grave and Psycho.

In almost all critical writings on the horror film, woman is conceptualised only as victim. In The Monstrous-Feminine Barbara Creed challenges this patriarchal view by arguing that the prototype of all definitions of the monstrous is the female reproductive body.With close reference to a number of classic horror films including the Alien trilogy, The Exorcist and Psycho, Creed analyses the seven faces' of the monstrous-feminine: archaic mother...