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Sophie Crumb's startlingly expressive drawings track her development as an artist from age two to twenty-eight. Sifting through dozens of their daughter's remarkable sketchbooks, our generation's most celebrated graphic artists have, with their only child, Sophie, now selected more than three hundred paintings and drawings that depict her artistic and psychological maturation. Revealing how an original artistic sensibility is both innate and n...

The bearded, robed, curmudgeonly guru Mr. Natural hasn't changed much since his 1967 debut. An ever-serene-but-horny philosopher-for-hire, dispensing enlightenment to an undeserving world--is he a wise, grizzled mystic or a cynical charlatan? A teller of timeless truths or a sixties anachronism? Wherever he appears, so do his most loyal acolyte, Flakey Foont, and his obsession, the lusty Devil Girl"--Amazon.com.

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R. Crumb's obsessions-from sex to the Bible, music, politics, and the vicissitudes and obscenities of daily life-are chronicled in this comprehensive book of work by the illustrious American comic artist.Instrumental in the formation of the underground comics scene in San Francisco during the 1960s and 1970s, Crumb has ruptured and expanded the boundaries of the graphic arts, redefining comics and cartoons as countercultural art forms. Present...

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This is a more-than-complete collection (it includes the unpublished 17th issue!) of the quintessential underground comic book.

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Subtitled "The R. Crumb Letters 1958-1977" A revealing collection of the legendary artist's private correspondence. A rare gift for the discerning Crumb collector, this features rare artworks throughout.

A collection of all of Crumb's work from his influential "Weirdo" magazine. Considered by some to be his best ever work, the stories include "People Make Me Nervous, Uncle Bob's Mid-Life Crisis, The Life Of Philip K. Dick" and many others.

A highly collectible edition which will delight Crumb's many legions of fans.

Robert Crumb first began drawing record covers in 1968 when Janis Joplin, a fellow Haight Ashbury denizen, asked him to provide a cover for her album Cheap Thrills. It was an invitation the budding artist couldn't resist, especially since he had been fascinated with record covers-particularly for the legendary jazz, country, and old-time blues music of the 1920s and 1930s-since he was a teen. This early collaboration proved so successful that ...

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