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This volume compares the cinemas of Iran and Turkey in terms of the presence and absence of women on both sides of the camera. From a critical point of view, it provides detailed readings of works by both male and female film-makers, emphasising issues facing women's film-making.

This volume compares the cinemas of Iran and Turkey in terms of the presence and absence of women on both sides of the camera. From a critical point of view, it provides detailed readings of works by both male and female film-makers, emphasising issues facing women's film-making.

The first critical and analytical dictionary of Turkish Cinema, this book provides a comprehensive overview of Turkish cinema from its beginnings to the present day.Addressing the lacuna in scholarly work on the topic, this dictionary provides immense detail on a wide range of aspects of Turkish cinema including, prominent filmmakers, films, actors, screenwriters, cinematographers, editors, producers, significant themes, genres, movements, the...

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Following an introduction delineating the histories of the film industries of the countries of the Middle East, this book contains interviews stretching over a decade, which position the filmmakers and their creative concerns within the social or political context of their respective countries.

A comprehensive study of the cinema of Turkey. It deals with Turkish quest for a modern identity in a world where borders, attitudes and people themselves are shifting and relocating.

The first critical and analytical dictionary of Turkish Cinema, this book provides a comprehensive overview of Turkish cinema from its beginnings to the present day.Addressing the lacuna in scholarly work on the topic, this dictionary provides immense detail on a wide range of aspects of Turkish cinema including, prominent filmmakers, films, actors, screenwriters, cinematographers, editors, producers, significant themes, genres, movements, the...

A collection of several interviews with filmmakers, whose works represent the trends in the film industries of their respective countries. Preceding the interviews, the author provides an introduction delineating historical information regarding the film industries of the countries included.