7 Ergebnisse.

The post-Partition cinema produced between 1956 and 1969-the long '60s-in Lahore, Pakistan, drew promiscuously from Hindu mythology, Bengali performance traditions, Islamicate legends, Sufi conceptions of the self, Punjabi and Sindhi oral narratives, Parsi theater, Urdu lyric poetry, historical and social realism, Hollywood musicals, the psychological and sensorial stimulus of modernity, and more. Consideration of this rich field of influence ...

The post-Partition cinema produced between 1956 and 1969-the long '60s-in Lahore, Pakistan, drew promiscuously from Hindu mythology, Bengali performance traditions, Islamicate legends, Sufi conceptions of the self, Punjabi and Sindhi oral narratives, Parsi theater, Urdu lyric poetry, historical and social realism, Hollywood musicals, the psychological and sensorial stimulus of modernity, and more. Consideration of this rich field of influence ...

Climate change, mass displacement and social justice in Pakistan: Naiza Khan at the 2019 Venice BiennaleDocumenting the first pavilion for Pakistan at the 2019 Venice Biennale, Manora Field Notes presents Karachi-based artist Naiza Khan's (born 1968) multimedia installation charting the demise of Manora Island's ecology due to climate changes as well as issues of social justice and mass displacement.

This pioneering work traces the emergence of the modern and contemporary art of Muslim South Asia in relation to transnational modernism and in light of the region's intellectual, cultural, and political developments. Art historian Iftikhar Dadi here explores the art and writings of major artists, men and women, ranging from the late colonial period to the era of independence and beyond. He looks at the stunningly diverse artistic production o...

The videos, photographic works and drawings of Bani Abidi (born 1971) explore the processes of political history, using imagery from the cityscapes of Pakistan to investigate ideas of servility and power and those moments where public and private spaces collide awkwardly. This publication looks back at Abidi's work since 1999.

Keine Beschreibung.

Traces the emergence of the modern and contemporary art of Muslim South Asia in relation to transnational modernism and in light of the region's intellectual, cultural, and political developments. The author explores the art and writings of major artists, men and women, ranging from the late colonial period to the era of independence and beyond.