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¿Barry J. Faulk is a professor in the English Department at Florida State University and the author of British Rock Modernism: The Story of Music Hall in Rock (2010). He has published numerous articles on British literature and cultural studies.

British Rock Modernism, 1967-1977 explains how the definitive British rock performers of this epoch aimed, not at the youthful rebellion for which they are legendary, but at a highly self-conscious project of commenting on the business in which they were engaged. They did so by ironically appropriating the traditional forms of Victorian music hall and the result was a symbolically charged form whose main purpose was to unsettle the hierarchy t...

Explains how the definitive British rock performers of this epoch aimed, not at the youthful rebellion for which they are legendary, but at a highly self-conscious project of commenting on the business in which they were engaged. This work focuses on the mid to late 1960s.

¿Barry J. Faulk is a professor in the English Department at Florida State University and the author of British Rock Modernism: The Story of Music Hall in Rock (2010). He has published numerous articles on British literature and cultural studies.

This collection explores the relevance of Joe Strummer within the continuing legacies of both punk rock and progressive politics. It is aimed at those interested in the Clash, punk culture, and the intersections between pop music and politics, on both sides of the Atlantic.

This collection explores the relevance of Joe Strummer within the continuing legacies of both punk rock and progressive politics. It is aimed at those interested in The Clash, punk culture, and the intersections between pop music and politics, on both sides of the Atlantic. Contributors represent a wide range of disciplines and their work examines all phases of Strummer¿s career, from his early days as ¿Woody¿ the busker to the whirlwind years...