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Addresses how academic historians engage with Downton Abbey and similar programmes on a personal, intellectual, and professional basis. As representations of history, period dramas perform serious work, and can be used to discuss both historical and contemporary issues (voting rights, war and trauma, reproductive rights).

In the 1950s, British cinema won large audiences with popular war films and comedies. This text explores some of the key debates about British cinema and film theory, and examines the curious mix of rebellion and conformity which marked British cinema in the post-war era.

A new edition to our BFI TV Classics series, this analysis of BBC's Bleak House aims to analyze this critically acclaimed production in terms of its adaptation status, narrative organization, acting, setting and mise-en-scene, while also using it to comment on more general issues in television studies.

Now a Major Motion Picture is a unique look at the many sources, literary and otherwise, that influence film adaptations. Christine Geraghty subverts the idea that film adaptations of novels and plays must be faithful to the original texts. She is more interested in how, while a film reflects its literary source, it also invites comparisons to our memories and associations with other versions. Geraghty looks at a variety of adaptations, from t...

Now a Major Motion Picture is a unique look at the many sources, literary and otherwise, that influence film adaptations. Christine Geraghty subverts the idea that film adaptations of novels and plays must be faithful to the original texts. She is more interested in how, while a film reflects its literary source, it also invites comparisons to our memories and associations with other versions. Geraghty looks at a variety of adaptations, from t...

In the fifties British cinema won large audiences with popular war films and comedies, creating stars such as Dirk Bogarde and Kay Kendall, and introducing the stereotypes of war hero, boffin and comic bureaucrat which still help to define images of British national identity. In British Cinema in the Fifties, Christine Geraghty examines some of the most popular films of this period, exploring the ways in which they approached contemporary soci...

This is the first major study of the role of women in prime time soap operas. In a comparative analysis of British and North American television soaps, Christine Geraghty examines the relationship between the narrative on screen and the women who make up the traditional soap audience. Within the structure of many of the most popular soaps such as Dallas, Dynasty, Coronation Street and Eastenders, the split between public and personal life, rea...

Television studies has come of age as the rapid expansion in media and communications courses shows. The Television Studies Book is a stimulating and challenging collection that analyzes how the study of television has developed and points to new approaches dealing with rapidly changing technologies and formats. Chapters on the history and methods of studying television reflect on such issues as the impact of feminism and the development of et...