4 Ergebnisse.

Poetry. "It's not possible to be more phenomenologically direct than the poetry on these pages. This is removal of the obstacles of perception, beginning with perception, often by means of the obstacles themselves. This is what the sky is. All other skies in this one. There is a host of impossibilities to be found in AERODROME ORION & STARRY MESSENGER. Susan Gevirtz's page is both an inclusion of a scale too vast for inclusion and a selection ...

Poetry. Susan Gevirtz cuts the box away from the camera as she disassembles other structures that keep the world, as we picture it, in place. For Gevirtz, the cultural is personal, and the personal is constructed as the cultural media--films, TV, newstories, book narratives--are shaped. These poems, gathered from pieces of her deconstructions, are held together by puns, homonyms, metaphors, and blank space. The empty expanses convey a sense of...

BURNS is a tour of documents of the unperceived, an archive of investigations of investigation staged in lyric prose, poetry and a play. Each offers a tray of excluded data, each examines research itself and its conditions. Through skewed ethnographic method strung on overhearing, taxonomy robbery, on being both the participant and the observer --outlines of present conditions emerge, their impossibilities and imagined escape routes. Anomalist...

Dorothy Richardson's Pilgrimage, a thirteen volume epic novel, was one of the first turn-of-the-century 'experiments' in the stream-of-consciousness. Richardson was a contemporary of Proust, Joyce, and Virginia Woolf, who referred to herself as an 'intermittent student' of Richardson's. Richardson also wrote about the early silent cinema for the journal Close Up, published by H.D. Bryher and Macpherson. In her writings on the film, as well as ...