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This is a reproduction of a book published before 1923. This book may have occasional imperfections such as missing or blurred pages, poor pictures, errant marks, etc. that were either part of the original artifact, or were introduced by the scanning process. We believe this work is culturally important, and despite the imperfections, have elected to bring it back into print as part of our continuing commitment to the preservation of printed w...

This is a reproduction of a book published before 1923. This book may have occasional imperfections such as missing or blurred pages, poor pictures, errant marks, etc. that were either part of the original artifact, or were introduced by the scanning process. We believe this work is culturally important, and despite the imperfections, have elected to bring it back into print as part of our continuing commitment to the preservation of printed w...

This is a reproduction of a book published before 1923. This book may have occasional imperfections such as missing or blurred pages, poor pictures, errant marks, etc. that were either part of the original artifact, or were introduced by the scanning process. We believe this work is culturally important, and despite the imperfections, have elected to bring it back into print as part of our continuing commitment to the preservation of printed w...

Carlo Goldoni: Der Diener zweier Herren. (Il servitore di due padroni) Die Prosakomödie um das Doppelspiel des Dieners Truffaldino, der »dumm und schlau zugleich« ist, ist Goldonis erfolgreichstes Bühnenwerk und darf als Höhepunkt der Commedia dell'arte gelten. Entstanden 1745, Uraufführung wahrscheinlich 1746 in Mailand, Erstdruck: Florenz 1753. Hier in der Übers. v. Friedrich Ludwig Schröder, Halle a.d.S.: Verlag von Otto Hendel [o.J.]. N...

Carlo Goldoni: Der Diener zweier Herren. (Il servitore di due padroni) Die Prosakomödie um das Doppelspiel des Dieners Truffaldino, der »dumm und schlau zugleich« ist, ist Goldonis erfolgreichstes Bühnenwerk und darf als Höhepunkt der Commedia dell'arte gelten. Entstanden 1745, Uraufführung wahrscheinlich 1746 in Mailand, Erstdruck: Florenz 1753. Hier in der Übers. v. Friedrich Ludwig Schröder, Halle a.d.S.: Verlag von Otto Hendel [o.J.]. N...

Mirandolina, scaltra locandiera, è secondo Goldoni stesso la "donna più lusinghiera" e insieme "più pericolosa" da lui portata in scena, ed è anche uno dei personaggi più riusciti del teatro italiano. Corteggiata inutilmente da aristocratici sfaccendati e offesa dall'ostinata misoginia del Cavaliere di Ripafratta, Mirandolina saprà tenere a bada i nobili pretendenti e allo stesso tempo punire il Cavaliere, facendolo innamorare grazie a un vast...

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»Die Maske wird das Spiel des Darstellers immer beeinträchtigen, ob er nun Freude oder Schmerz ausdrucken will ob er verliebt ist, in Zorn gerät oder scherzt, stets zeigt sich das gleiche bemalte Leder ... Heute verlangt man von dem Schauspieler Seele, und Seele unter der Maske ist wie Feuer, unter der Asche.« Goldoni, in seiner Auseinandersetzung mit der zeitgenössischen Commedia dell' arte.

LELIO. Was meinst du? Hab ich' s richtig gemacht? ARLECCHINO. Weiß der Teufel, wie Ihr' s fertigbringt, einen solchen Sack von Märchen zu erfinden und so viele Lügen auf einmal vorzubringen, ohne Euch nur ein einziges Mal zu verhaspeln. LELIO. Ignorant! Das sind keine Lügen, geistreiche Erfindungen sind das, der Fruchtbarkeit meines schlagfertigen und brillanten Sinnes entsprungen. Wer die Welt genießen Wille muß unbekümmert sein, und gute G...

Das burleske Spiel um die Herbergswirtin Mirandolina, die drei Verehrer von Stand mit Witz und Raffinesse an der Nase herumführt, um schließlich dem vierten, ihrem Gehilfen, die Hand zu reichen, ist bis heute das beliebteste Stück Goldonis. Lord Byron bezeichnete es als »eine der besten Komödien, die Europa je hervorgebracht hat«.

Truffaldino (allein). Oh, das ist lustig! Wie viele gibt es nicht, die einen Herren suchen, und ich habe gleich zwei. Aber was Teufel soll ich machen? - Ich kann ja nicht beide bedienen - Nicht? - warum nicht? Wenn ich beiden aufwarte, so werd ich auch doppelt bezahlt und bekomme doppelt zu essen. - Und wenn's herauskommt - was verliere ich? Nichts. Wenn mich einer fortjagt, so bleibe ich bei dem anderen. So wahr ich ein ehrlicher Kerl bin, ...

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A collection of four of the Italian playwright's comedies ("A Curious Mishap, " "The Beneficent Bear, " "The Fan" and "The Spendthrift Miser"), edited and with an introduction by Helen Zimmern. This English language edition first published in 1892.

A Student Edition of the classic 18th century commedia A Servant to Two Masters, by Goldoni and adapted by Lee Hall, which includes a plot synopsis, a commentary on the historical context, and on the themes, characters, language andstructure of the play, as well as questions for further study.

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This 1952 volume contains an English translation of The Servant of Two Masters, one of Goldoni's most celebrated comedies.

Two plays from Italy's greatest playwright, Carlo Goldoni, are here brought to life in vibrant translations by British playwright and translator Ranjit Bolt.

This is a reproduction of a book published before 1923. This book may have occasional imperfections such as missing or blurred pages, poor pictures, errant marks, etc. that were either part of the original artifact, or were introduced by the scanning process. We believe this work is culturally important, and despite the imperfections, have elected to bring it back into print as part of our continuing commitment to the preservation of printed w...

This is a reproduction of a book published before 1923. This book may have occasional imperfections such as missing or blurred pages, poor pictures, errant marks, etc. that were either part of the original artifact, or were introduced by the scanning process. We believe this work is culturally important, and despite the imperfections, have elected to bring it back into print as part of our continuing commitment to the preservation of printed w...