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Using cinema to explore the visual aspects of alterity, Randall Halle analyzes how we become cognizant of each other and how we perceive and judge another person in a visual field. Halle draws on insights from philosophy and recent developments in cognitive and neuroscience to argue that there is no pure "natural" sight. We always see in a particular way, from a particular vantage point, and through a specific apparatus, and Halle shows how hu...

A focused examination of German film's transformation from a national to transnational industry

New essays exploring the surging field of experimental film in today's Germany and Austria.

Randall Halle is the Klaus W. Jonas Professor of German and film studies at the University of Pittsburgh. He is the author of German Film after Germany: Toward a Transnational Aesthetic.

Light Motives undertakes a long-overdue critical reassessment of German popular cinema, challenging the traditional view of German film history and offering new ways to think about popular cinema in general. Critics rarely associate popular film with German cinema despite the international success of such films as Das Boot (1981), The Never-Ending Story (1984), Run Lola Run (1998), and recent German comedies, all representing a rich body of wo...

In Queer Social Philosophy, Randall Halle analyzes key texts in the tradition of German critical theory from the perspective of contemporary queer theory, exposing gender and sexuality restrictions that undermine those texts' claims of universal truth. Addressing such figures as Kant, Hegel, Marx, Nietzsche, Adorno, and Habermas, Halle offers a unique contribution to contemporary debates about sexuality, civil society, and politics.

Randall Halle is the Klaus W. Jonas Professor of German and film studies at the University of Pittsburgh. He is the author of German Film after Germany: Toward a Transnational Aesthetic.

What is the work of film in the age of transnational production? To answer that question, Randall Halle focuses on the film industry of Germany, one of Europe's largest film markets and one of the world's largest film-producing nations. In the 1990s Germany experienced an extreme transition from a state-subsidized mode of film production that was free of anxious concerns about profit and audience entertainment to a mode dominated by private in...