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This challenging and lively volume contains essays by Stephen Greenblatt, Elaine Showalter, Jonathan Goldberg, Stanley Cavell, Robert Weimann, Margaret Fergusson, Howard Felperin and many others.

Excerpt from The Unmediated Vision: An Interpretation of Wordsworth, Hopkins, Rilke, and Valéry Some procedural detail should finally be noted. These essays claim unity of theme and method but not of form. Each essay will start from a single text and proceed by successive interpretations, sometimes of the same poem, sometimes of the author's work as a whole, but in the number and sequence of successive analyses it is guided by the text itself...

This challenging and lively volume contains essays by Stephen Greenblatt, Elaine Showalter, Jonathan Goldberg, Stanley Cavell, Robert Weimann, Margaret Fergusson, Howard Felperin and many others.

In this, the first Reader of Geoffrey Hartman's work, significant essays reflect his abiding interest in English and American poetry, focusing not only on Romanticism but also on the transition from early modern to modern and including reflections on the radical elements in artistic representation.

In this, the first Reader of Geoffrey Hartman's work, significant essays reflect his abiding interest in English and American poetry, focusing not only on Romanticism but also on the transition from early modern to modern and including reflections on the radical elements in artistic representation.

This book is a volume in the Penn Press Anniversary Collection. To mark its 125th anniversary in 2015, the University of Pennsylvania Press rereleased more than 1, 100 titles from Penn Press's distinguished backlist from 1899-1999 that had fallen out of print. Spanning an entire century, the Anniversary Collection offers peer-reviewed scholarship in a wide range of subject areas.

Geoffrey Hartman is a pivotal figure in twentieth-century literary thinking, especially in literary theory and its transformation into such fields as Holocauststudies, trauma studies, and work on witnessing and testimony. The essays inthis reader, preceded by an important autobiographical introduction, presentthe full range of Hartman's interests, which cover almost the entire field ofcontemporary literature and culture-from poetry through psy...

Geoffrey Hartman is a pivotal figure in twentieth-century literary thinking, especially in literary theory and its transformation into such fields as Holocauststudies, trauma studies, and work on witnessing and testimony. The essays inthis reader, preceded by an important autobiographical introduction, presentthe full range of Hartman's interests, which cover almost the entire field ofcontemporary literature and culture-from poetry through psy...

One of our most incisive critics asks where the assault against the canons of Western culture has led us. Engaging a wide range of literature and criticism, Hartman considers the term "culture" and its many uses, and calls for the restoration of literature to its place as the focus of thinking about culture and for the renewal of aesthetic education to help ensure the balance between art, culture, and politics.Lost among the shouts and skirmis...

Saving the Text" cuts through Jacques Derrida's complex blend of philosophy, commentary, and elaborate wordplay to ascertain his place in the history of criticism and the significance of Glas as literary event. Distinguished critic and scholar Geoffrey Hartman explores the usefulness of Derrida's style of close reading for English and American scholarship and establishes its relevance to the division that has arisen between European and Anglo-...

The author defends the reading of the text of criticism as carefully as the text of literature. He argues for a broader conception of critical style, one that would support the open and conversational voice of the public critic as well as the inventive and innovative practice of the technical critic. Hartman sets before out an ideal of literary criticism that can acknowledge theory yet does not shrink from a sustained, text-centered response.

Keine Beschreibung.

The recording, explanation and the inescapable task of judging great wrongs in the past presents historians with their most difficult assignment. For those who have either lived through such injustice or have been in some way responsible for it the impositions of memory are both painful and unavoidable.

In "The Third Pillar, " Geoffrey Hartman, one of the most influential scholars and teachers of English and Comparative Literature of recent decades, has brought together some of the most important and eloquent essays he has written since the 1980s on the major texts of the Jewish tradition.

Vier Essays von Geoffrey Hartman mit einer Einleitung von Aleida Assmann.Geoffrey Hartman, einer der international renommiertesten Literaturwissenschaftler, hat sich in den letzten Jahren intensiv der analytischen Aufarbeitung eines Begriffs angenommen, der in den Kulturwissenschaften den Status eines »Plastikworts« hat: der kulturellen Erinnerung. Die in diesem Band zusammengefassten Überlegungen zeigen, wie sich »kulturelle Erinnerung« in un...

Geoffrey Hartman is best known as one of the most eminent literary scholars and theorists of the past half century. Through his poetry Hartman has been able to express more fully and imaginatively his thoughts about life, religion, and poetry itself. The Eighth Day combines never-before-seen poems with his previous two volumes.

Describes author's early education, uncanny sense of vocation, and development as a literary scholar and cultural critic. This title looks back at how author's career who was influenced by his experience, at the age of nine, of being a refugee from Nazi Germany in the Kinder transport.

Donald G. Marshall is the Fletcher Jones Chair of Great Books at Pepperdine University.

Excerpt from The Unmediated Vision: An Interpretation of Wordsworth, Hopkins, Rilke, and Valéry Some procedural detail should finally be noted. These essays claim unity of theme and method but not of form. Each essay will start from a single text and proceed by successive interpretations, sometimes of the same poem, sometimes of the author's work as a whole, but in the number and sequence of successive analyses it is guided by the text itself...

Originally published in 1980, this now classic work of literary theory explores the wilderness of positions that grew out of the collision between Anglo-American practical criticism and Continental philosophic criticism. This second edition includes a new preface by the author as well as a foreword by Hayden White. " A key text for understanding ' the fate of reading' in the Anglophone world over the last fifty years." - Hayden White, from the...