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Art history, aesthetics, and visual studies today find themselves in contested new philosophical and institutional circumstances. This fascinating and challenging volume explores the connections and differences among these three methods of investigating visual representation. What are the dominant aesthetic assumptions underlying art historical inquiry? How have these assumptions been challenged by visual studies? Are questions of quality, for...

Michael Ann Holly is Director of the Research and Academic Program at the Clark Art Institute and teaches in the graduate program at Williams College. Her other books include Visual Culture: Images and Interpretations, The Subjects of Art History: Historical Objects in Contemporary Perspective, Art History, Aesthetics, and Visual Studies, and Past Looking: Historical Imagination and the Rhetoric of Images, the latter also available from Cornell.

Michael Ann Holly is Director of the Research and Academic Program at the Clark Art Institute and teaches in the graduate program at Williams College. Her other books include Visual Culture: Images and Interpretations, The Subjects of Art History: Historical Objects in Contemporary Perspective, Art History, Aesthetics, and Visual Studies, and Panofsky and the Foundations of Art History, the latter also available from Cornell.

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