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The essays in this volume, from those that look at patronage from a theoretical perspective as it relates to issues such as gender, social and economic history, to individual case studies, highlight our need to look at the subject anew.

Despite the fact that the Gothic is one of the best known and most studied of all the fields of medieval art history, much remains for us to learn. Stretching in time from the early thirteenth to the middle of the sixteenth century and in space from the western shores of Ireland to the eastern borders of Europe, it is a style with many subdivisions and dialects. These papersthe fruits of a two-day conference at Princeton Universitybring togeth...

An interdisciplinary collection of essays examining Irish and Anglo-Saxon art in the early medieval period"--Provided by publisher.

A resource for the study of time as represented by the signs of the zodiac and occupations of the months, documented in the comprehensive files of the Index of Christian Art at Princeton University.

Published by the Index of Christian Art in association with Penn State Press. In this volume, a group of distinguished scholars makes skilled use of the methodology to examine a number of significant medieval manuscripts, including the Morgan Picture Bible. Advertising.

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This collection explores the way in which these minor arts have fought back to gain wider acceptance in our holistic approach to studying the arts of the Middle Ages. Written by some of the most eminent scholars in the field, looks at minor media from a historiographical perspective and shows how they are gaining wider acceptance.

Abraham, son of Terah or Azar and husband of Sarah, is one of the pivotal figures of the Old Testament and is generally seen as the founder of the Christian, Jewish, and Muslim faiths. He was a rich source of inspiration in all three faiths for artists of the medieval period. His life narrative from birth to death is richly recorded in a variety of media dating from the early Christian period to the end of the sixteenth century. As varied as t...

A collection of essays examining the the concept of representing visions and dreams in the medieval period. Includes discussions of modern visions which highlight how our belief in the non-corporal world still exists"--Provided by publisher.

The medieval world does not end in Western Europe, and within the last twenty or so years some of the most stimulating art-historical discoveries have been made in the Near East. Moving beyond the confines of Jerusalem and Carthage, this volume considers the art of Armenia, Ethiopia, Coptic Egypt, Georgia, Jordan, Lebanon, Syria, and the Mongol East in relation to Byzantium, Cyprus, Italy, and the West. The Christian arts of the Near East, lon...

The medieval world does not end in Western Europe, and within the last twenty or so years some of the most stimulating art-historical discoveries have been made in the Near East. Moving beyond the confines of Jerusalem and Carthage, this volume considers the art of Armenia, Ethiopia, Coptic Egypt, Georgia, Jordan, Lebanon, Syria, and the Mongol East in relation to Byzantium, Cyprus, Italy, and the West. The Christian arts of the Near East, lon...

First classified as an early phase of the Gothic, Romanesque art of the late eleventh and twelfth centuries presents a variety of challenges. Looking at the concepts of style and historiography, this title presents scholarship in the Romanesque. It examines issues of reception, innovation, nationalism, iconography, and geographic coverage