6 Ergebnisse.

In the first study of its kind about the role played by intimate memory in the mourning literature of late imperial China, Martin W. Huang focuses on the question of how men mourned and wrote about women to whom they were closely related. Drawing upon memoirs, epitaphs, biographies, litanies, and elegiac poems, Huang explores issues such as how intimacy shaped the ways in which bereaved male authors conceived of womanhood and how such conceptu...

Sheds new light on pre-modern Chinese gender relationships in the context of marriage, male Confucian literati self-presentation, and social networks.

Snakes' Legs examines sequels (xushu), a common but long-neglected literary phenomenon in traditional China. What prompted writers to produce sequels despite their poor reputation as a genre? What motivated readers to read them? How should we characterize the nature of the relationship between sequels and rewritings? Contributors to this volume illuminate these and other questions, and the collection as a whole offers a comprehensive considera...

In this study of desire in Late Imperial China, Martin W. Huang argues that the development of traditional Chinese fiction as a narrative genre was closely related to changes in conceptions of the fundamental nature of desire. He further suggests that the rise of vernacular fiction during the late Ming dynasty should be studied in the context of contemporary debates on desire, along with the new and complex views that emerged from those debate...

Why did traditional Chinese literati so often identify themselves with women in their writing? What can this tell us about how they viewed themselves as men and how they understood masculinity? How did their attitudes in turn shape the martial heroes and other masculine models they constructed? Martin Huang attempts to answer these questions in this valuable work on manhood in late imperial China. He focuses on the ambivalent and often paradox...

This study of the Chinese novel in the eighteenth century focuses on the autobiographical features of three important works: The Dream of the Red Chamber, or The Story of the Stone (Honglou meng), The Scholars (Rulin waishi), and the relatively neglected The Humble Words of an Old Rustic (Yesou puyan).