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In this unusual volume, Bradford Keeney depicts psychotherapy as a performing art. Emphasizing the advantages of improvising one's own therapeutic style, he presents a host of tried-and-true strategic interventions, a short course on brief intervention design, a way of "scoring' conversations with clients much like one would score music, a collection of therapeutic moves, and chapters on creating one's own clinical design. As such, IMPROVISATI...

Bradford Keeney details his initiation into the shamanic tradition of the Kalahari Bushmen. He was drawn to this tradition, wherein dancers' bodies shake uncontrollably during healing ceremonies, with hopes that it might explain his own ecstatic "shaking, " which he first experienced at the age of 19. Keeney went on to dance with the Bushmen for more than a dozen years.

The fundamental concern of psychotherapy is change. While practitioners are constantly greeted with new strategies, techniques, programs, and interventions, this book argues that the full benefits of the therapeutic process cannot be realized without fundamental revision of the concept of change itself. Applying cybernetic thought to family therapy, Bradford P. Keeney demonstrates that conventional epistemology, in which cause and effect have ...