COHERENCE BETWEEN NARRATIVE AND MONTAGE
Keskin, Suphi
This book aims to demonstrate the coherence between narrative and montage in Reha Erdem¿s cinema in dialogue with Deleuzian philosophy and cinema theory, and it analyzes the parallels and divergences between Erdem¿s cinema and Deleuzian concepts. In order to accomplish this aim, this thesis explores three films from Erdem¿s oeuvre by employing Deleuzian concepts clustered around ¿becoming¿. The three films are Kosmos (2010), What¿s a Human, An...