In 1971, Canada became the first country to adopt an official policy of multiculturalism. Performing the Intercultural City explores how Toronto - a representative global city in this multicultural country - stages diversity through its many intercultural theatre companies and troupes.
In 1971, Canada became the first country to adopt an official policy of multiculturalism. Performing the Intercultural City explores how Toronto - a representative global city in this multicultural country - stages diversity through its many intercultural theatre companies and troupes.
This book brings together essays on the Stratford Festival, on Shakespeare in Quebec, and on Canadian dramatic adaptations of Hamlet and Othello by Ric Knowles, one of Canadäs leading drama and theatre scholars. The essays discuss such major figures as Robert Lepage, Ann Marie MacDonald, Djanet Sears, Michael O¿Brien, Ken Gass, Robin Phillips, Marco Micone, and Martine Beaulne. Taken together they explore both the role that Canada has played i...
Ric Knowles develops and demonstrates a method of theatrical performance analysis involving the entire theater experience, from production to reception. Five case studies provide a first-step introduction to key terms and areas of performance theory. They include the cultural work performed by a major Shakespearean repertory theater, a small nationalist theater devoted to new play development, a major New York-based avant-garde touring theater...
Theatre, like other subjects in the humanities, has recently undergone quintessential changes in theory, approach, and research. Modern Drama - a collection of twelve essays from leading theatre and drama scholars - investigates the contemporary meanings and the cultural and political resonances of the terms inherent in the concepts of 'modern' and 'drama, ' delving into a range of theoretical questions on the history of modernism, modernity, ...
Building on CTR's history of special issues on Native Theatre, South Asian Canadian Theatre, Italian Canadian Theatre, AfriCanadian Theatre (twice) and, long ago, ?Ethnic Theatre, ? CTR 139 takes a look at an even biggerpicture: the intercultural ? performance in which productive exchange takes place across multiple sites of difference.
This issue explores the divide between reproductive and productive improvisation?between the competitive individual improviser as the free-market entrepreneur of neoliberal ideology and purposeful group improvisation as healthy community formation and socially responsible intervention into the realm of the social.
How are hybrid and diasporic identities performed in increasingly diverse societies? How can we begin to think differently about theatrical flow across cultures?Interculturalism is an increasingly urgent topic in the 21st century. As human traffic between nations increases, it becomes imperative to critically re-examine the way cultural exchange is performed. Theatre& Interculturalism surveys established approaches and asks what it would mean ...