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In these essays, John O'Meara re-assesses both the tragic limitations and inherent promise of Romantic tradition in the interpretation of Shakespeare. The philosophical theory of Rudolf Steiner, the founder of Anthroposophy, is brought forward as consummating that tradition. Building on concepts which Anthroposophy supplies O'Meara proceeds to a fresh reading of Shakespeare's work. A wide range of plays is covered from Richard II to The Tempes...

Looking ahead to the 250th anniversary of Wordsworth's birth, this small book challenges fresh questions about where Wordsworth stood in his poetic production in the great years of creative ferment between 1798 and 1806. Numerous poems are covered from this period, but especially does this book re-think our traditional conception of the relationship between The Prelude and Intimations. Wordsworth is separated from the visionary life he once kn...

O'Meara's work is the perfect supplement to [Ted] Hughes's "Shakespeare and the Goddess of Complete Being", shedding further illumination into those areas where Hughes's penetrating lens finally appears to dim. [This work] shines utterly clear light on the path of understanding we may re-win with regard to myth, forcing the reader to face the incredible starkness of the prospect we face-and the lack of options-ever closing in-and also giving t...

O'Meara's work is the perfect supplement to [Ted] Hughes's "Shakespeare and the Goddess of Complete Being", shedding further illumination into those areas where Hughes's penetrating lens finally appears to dim. [This work] shines utterly clear light on the path of understanding we may re-win with regard to myth, forcing the reader to face the incredible starkness of the prospect we face-and the lack of options-ever closing in-and also giving t...

Recent interest in who Shakespeare's Muse may have been prompts one to come forth to dispel the drastically simplistic notions that have been brought forward. In this essay John O'Meara suggests where our concern with Shakespeare should actually lie or what form of Muse we can suppose it was that commanded his development the way it did. Shakespeare was fated for a certain experience from which he could not extricate himself, even if he had wi...

Based on linguistic research carried out with Delaware speakers at Moraviantown, this is the first modern dictionary of Munsee Delaware.

As the third part of his trilogy on Shakespeare, Prospero's Powers extends the study of the late plays O'Meara offered in Othello's Sacrifice, to consider more closely how Shakespeare fulfills his personal artistic development in The Tempest. The play is seen as expressing in its structure the whole of Shakespeare's tragic development up to that time. Great powers of self-knowledge and of inner knowledge of the cosmos are shown to have emerged...

The long-standing challenge and problem of living through tragedy, as opposed to living beyond it or simply carrying on in spite of it, is highlighted in this extensive and in-depth scholarly study. Shakespeare was able to live through tragedy and consequently could come into those higher evolutionary states of mind and being, until now so little known, that are so impressively represented in his last plays. This book, published on the 400th a...

This essay offers a radical view of the post-Renaissance, Western literary scene inasmuch as Rudolf Steiner's Anthroposophy bears a relation to it, principally through his Mystery Plays. A number of major authors are highlighted as having an intrinsic connection with the Anthroposophical revelation-notably T.S. Eliot, and especially S.T. Coleridge. The prospect of a new cultural poetic for the future is outlined in connection especially with t...

This collection of texts, in presenting Rudolf Steiner's highly evolved understanding of the nature of thinking, points the direction to take today to carry on with the work of Goethe, of Coleridge and of Emerson as the three principal spokesmen for Romantic Imagination in 19th century Europe and America.Their Romantic epoch came to an end, because the creative thought that served that epoch could not fully satisfy the requirements of thinking...

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The period covered in this book ranges from the early part of the 20th century right through to its end-roughly from the death of Chekhov to that of Ted Hughes. The question is raised whether the vision of the modern world that opened up to the authors of this period does not still apply in our own time. The book's main theme is the finality of modern nothingness. What remains that is superhumanly possible, despite all appearances that nothing...

How can we know the great Goddess again? How worthy are we of that mythical experience? How are we related to that experience in our deepest depravity? And why has the mythical experience grown so opaque to us in our post-Romantic, modern world. These are the main issues arising out of Western literary tradition that John O'Meara explores in this book. In the work of Robert Graves, Shakespeare, and Keats, O'Meara sees the deepest expression ...

Made up of three books that are the earliest extant works of St. Augustine, these works claim to give a reliable picture of the mind and way of life of one of the greatest figures of the West, precisely at the moment that was for him most critical and vital. +