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The major triad, built off the naturally occurring overtone series, is one of the most common melodic and harmonic structures found in nearly all types of music. A strong grasp of the major triad, in all of its inversions (root, 1st and 2nd), in all 6 orders of notes (1-3-5, 1-5-3, 3-1-5, 3-5-1, 5-1-3, 5-3-1) and in both spread and closed position will give the improvising artist, the composer and the performer a undeniable leverage point to h...

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Improvising over the minor ii-7, V7, i chord progression can be challenging for both the beginning and advanced jazz musician. This Book contains over 1600 Bars of minor ii-7, V7, i- melodies, licks and patterns in all 12 keys. The material is designed to help one develop an aural, technical and theoretical understanding of this common chord progression in each key. The lines use a variety of rhythmic groupings, chord substitutions, triads, tr...