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Emilia Pardo Bazán (1851-1921) is a central and influential figure in nineteenth-century Spanish literature, the author of more than thirty novels as well as a number of short stories and critical essays on literary criticism. Surely no Spanish woman has produced the sheer quality, the extraordinary breadth, or the quality of the essays that she wrote during her life. Best known for her novels, short stories and articles in the papers of her t...

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Mother Nature (1887) is the sequel to Emilia Pardo Bazán's most famous novel, The House of Ulloa, written one year earlier. It continues where the earlier work left off, when the priest, Julian, who had vainly struggled to protect the life and interests of the doomed mother of Manuela, sees the girl cavorting through the meadow with Perucho, who will turn out to be her half-brother. The reader will follow the course of the ill-starred relation...

This early novel of Emilia Pardo Bazan is her most Naturalistic work in the manner of the French movement, and is also her most outspoken statement of her feminist point of view.

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Emilia Pardo Bazán reivindicó un "naturalismo" autóctono, de carácter castizo y propio de la literatura española. "Los pazos de Ulloa" es una muestra de esta convicción y su obra más destacada. Como otras novelas europeas del cambio de siglo, es la saga de una clase social en decadencia: la aristocracia rural gallega. Dramáticas escenas entre personajes trazados con fuerza, descripciones intensas de una estructura política corrupta, alternan c...

Russia - Its people and its literature is an unchanged, high-quality reprint of the original edition of 1890.Hansebooks is editor of the literature on different topic areas such as research and science, travel and expeditions, cooking and nutrition, medicine, and other genres.As a publisher we focus on the preservation of historical literature.Many works of historical writers and scientists are available today as antiques only. Hansebooks newl...

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Casi todos los grandes novelistas del siglo XIX español probaron fortuna en el cuento corto. Tres cuentos de Clarín —entre los que no podía faltar «¡Adiós, Cordera!»—, tres de Emilia Pardo Bazán, dos de Alarcón y otros de Valera, Pérez Galdós, Pereda y Palacio Valdés componen esta espléndida muestra de la mejor cuentística del siglo XI...

La autora escribi3/4 mßs de seiscientos cuentos de los mßs variados temas y utilizando todo tipo de tÚcnicas.