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In Emotional Expressionism: Television Seriality, the Melodramatic Mode, and Socioemotionality, E. Deidre Pribram examines emotions as social relations through the lens of dramatic television serials as contemporary melodrama. She develops the concept of socioemotionality, addressing sociocultural forms of felt experience and exploring the role of emotions in forging narrative worlds. Through detailed analyses of serials like Killing Eve, How ...

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In her latest contribution to the growing field of emotion studies, Deidre Pribram makes a compelling argument for why culturalist approaches to the study of emotional "disorders" continue to be eschewed, even as the sociocultural and historical study of mental illness flourishes.

Emotions, Genre, and Justice in Film and Television explores textual representations of emotions from a cultural perspective. It considers emotions as structures of feeling that are collectively shared and historically developed, focusing on the justice genres ¿ the generic network of film and television programs that are concerned with crime, law, and social order ¿ to examine how fictional police, detective, and legal stories participate in ...

Contemporary independent American and non-American films distributed in the United States have emerged as a distinct system of representation formulated in the expanse between principles of Hollywood popular film and alternative cinematic practices. Cinema & Culture considers independent film as an industry, a set of institutions, a discursive formation, and a specific series of texts. Investigating the consumption side of the spectrum (distri...

In her latest contribution to the growing field of emotion studies, Deidre Pribram makes a compelling argument for why culturalist approaches to the study of emotional "disorders" continue to be eschewed, even as the sociocultural and historical study of mental illness flourishes.