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This work is genuinely interdisciplinary and opens up new perspectives in the discipline, defining the field of study.~The scholars who contributed are the best in the field and were drawn from countries in North America, Europe, Asia, and Oceania. Over 100 authors hail from outside of the U.S.~The articles sit within the broader ORE, which allows them to be updated and facilitates connection with other topics.

From a look at classics like Psycho and Double Indemnity to recent films like Traffic and Thelma & Louise, Nicole Rafter and Michelle Brown show that criminological theory is produced not only in the academy, through scholarly research, but also in popular culture, through film. This book provides a fresh way of looking at cinema.

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