31 Ergebnisse - Zeige 1 von 20.

Brilliant, practical, and humorous conversations with one of the twentieth-century's greatest musicologists on art, culture, and the physical pain of playing a difficult passage until one attains its rewards. Throughout his life, Charles Rosen combined formidable intelligence with immense skill as a concert pianist. He began studying at Juilliard at age seven and went on to inspire a generation of scholars to combine history, aesthetics, and s...

In this comprehensive and authoritative guide, Rosen places Beethoven's sonatas in context and provides an understanding of the formal principles involved in interpreting and performing this unique repertoire. Includes a CD of the author performing extracts from several of the works.

Wie macht Haydn seine musikalischen Witze? Wie bringt Mozart Tonarten zum Sprechen? Warum ist die "Hammerklaviersonate" nicht typisch für Beethoven? Charles Rosen entwickelt aus sensiblen, genauen und gleichzeitig spannenden Analysen heraus seine Interpretation der drei großen Klassiker Haydn, Mozart und Beethoven.

Few can match Rosen's cultivation and discernment, whether the pianist, music historian, or critic. Here he gives a performance of literary criticism as high art, a critical conjuring of the Romantic period by way of some of its central texts. 3 musical examples.

Keine Beschreibung.

Based on the author's 1976 Richard H. Shryock lectures sponsored by the University of Pennsylvania Dept. of History.

Keine Beschreibung.

Keine Beschreibung.

Trade paperback. In this remarkable study Charles Rosen surveys the language of the music of the classical period, concentrating on the three major figures of the time, Haydn, Mozart and Beethoven.

Keine Beschreibung.

Se c'è un'epoca nella storia della musica che nessuno ha mai esitato a definire aurea, certamente è quella del "grande triumvirato": i sei-sette decenni - dai primi exploit compositivi del giovane Haydn (mentre Mozart già stupiva l'Europa) alla morte di Beethoven nel 1827 - che videro nascere "un'arte nuova". Benché divisi da "caratteri diversissimi e concezioni espressive spesso diametralmente opposte", Haydn, Mozart e Beethoven forgiarono un...

Is there a moment in history when a work receives its ideal interpretation? Or is perpetual negotiation required to preserve the past and accommodate the present? The freedom of interpretation, Charles Rosen suggests in these sparkling explorations, exists in a delicate balance with fidelity to the identity of the original work.

How does a work of music stir the senses, creating feelings of joy, sadness, elation, or nostalgia? This title details the array of stylistic devices and techniques used to represent or convey sentiment. It traces the use of radically changing intensities in the Romantic works of the nineteenth century.

In questo libro Charles Rosen concentra la sua attenzione sulla musica romantica: su musicisti come Chopin, Liszt, Berlioz, Mendelssohn, Bellini... In Italia, dello stesso autore sono stati pubblicati "Lo stile classico", "La forma sonata". "La generazione romantica" è apparso per la prima volta nel 1995.

Keine Beschreibung.

Keine Beschreibung.

Keine Beschreibung.

Keine Beschreibung.

Keine Beschreibung.

Mettendo a frutto la vasta esperienza di pianista concertista e il riconosciuto talento storiografico e critico, Charles Rosen affronta in questo libro la forma musicale che è il cuore e il cervello dello stile classico. Ne rintraccia le premesse nella musica di compositori come Scarlatti e C.P.E. Bach, per concentrare l'attenzione là dove essa raggiunge il suo culmine, con la triade Haydn, Mozart, Beethoven (ma anche con le varianti di grandi...