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In a letter, Katherine Mansfield writes: 'I hate the sort of licence that English people give themselves - to spread over and flop and roll about. I feel as fastidious as though I write with acid'. This book explores Mansfield's idiosyncratic aesthetic by focusing on her position as an outsider in Britain: a New-Zealander, a woman writer, a Fuavist, and eventually a consumptive. Her sharp-edged fiction is discussed in relation to her involveme...

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Spare Rib remains one of the most iconic symbols of Second Wave Feminism, its influence far out-living the span of its publication (1972-1993).  This collection examines various aspects of the magazine - based on the digitised publication by the British Library in 2015 – in order to explore the ways in which it has influenced society in the twentieth and twenty-first centuries, as well as the lives of individual readers. By analysing several a...

Jez Redfern is unique. She's a vampire hunter . . . who's half vampire. Raised in the Redfern family, she had been the undisputed leader of a gang of vampire raiders. Then comes the discovery that shatters her life--her mother is a human. Now, Jez hunts her former friends, protecting humans from the Night World.

Jez Redfern is unique. She's a vampire hunter . . . who's half vampire. Raised in the Redfern family, she had been the undisputed leader of a gang of vampire raiders. Then comes the discovery that shatters her life--her mother is a human. Now, Jez hunts her former friends, protecting humans from the Night World.