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The joint correspondence of four titans of the Lovecraft Circle sheds fascinating light on the complex interplay of the personal and professional lives of these writers, artists, editors, and collectors. R. H. Barlow initiated much of the correspondence, seeking to preserve manuscripts and other material in what he called the "Vaults of Yoh-Vombis." Barlow discussed plans to publish a variety of Smith's poetry, but these ultimately came to not...

Clark Ashton Smith could well be considered one of the great poets of the twentieth century, and much of his verse explores the realms of fantasy, terror, wonder, and the supernatural. In this volume-the first major selection of Smith's poetry in more than thirty years-editors S. T. Joshi and David E. Schultz have presented an extensive array of poetic work that fully reveals Smith's exotic language, imaginative range, and metrical precision.I...

Clark Ashton Smith was one of the most remarkable and distinctive American poets of the twentieth century. His tremendous output of poetry, totaling nearly 1000 original poems written over a span of more than fifty years, is of the highest craftsmanship and runs the gamut of subject matter from breathtaking "cosmic" verse about the stars and galaxies to plangent love poetry to pungent satire to delicate imitations of Japanese haiku. This editi...

In addition to being a prolific and innovative poet in his own right, Clark Ashton Smith was a noted translator of French and Spanish poetry. Teaching himself French in the mid-1920s, Smith undertook the ambitious program of translating the entirety of Charles Baudelaire's Les Fleurs du mal (The Flowers of Evil) into English. Over the next several years he succeeded in translating all but six of the 157 poems that comprised the definitive (186...

This second volume of Clark Ashton Smith's complete original poetry contains the poems he wrote in the decades following the death in 1926 of his early mentor, George Sterling. Although much affected by Sterling's passing, Smith carried on in his poetic work, seeking new modes of expression and expanding his range beyond the cosmic and lyrical verse that had dominated his early career. Having taught himself French in the mid-1920's Smith began...