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Coincides with four solo exhibitions in New York, San Francisco, Minneapolis, and Berlin. Taking its name from a line in the Wallace Stevens’ poem “The Gray Room, ” Alec Soth’s latest book is a lyrical exploration of the limitations of photographic representation. While these large-format color photographs are made all over the world, they aren’t about any particular place or population. By a process of intimate and often extended engagement...

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A long, friendly conversation between the American artist Alec Soth and the Italian curator and critic Francesco Zanot. Analyzing his most famous photographs as well as others that have nev - er been published or are virtually unknown, Soth reflects upon his career as a photographer. Each picture gives rise to a chapter of its own, an original thought or reflection. Soth's images are shuffled together here to form new sequences: tracing the th...

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