16 Ergebnisse.

Dreadful Pleasures takes a lively look at the stories that make our hair stand on end. James Twitchell examines the appeal of horror through the centuries--its persistence in our culture, its manifestations in art, literature, and cinema, and our need for the frisson it provides. From the cave paintings at Lascaux to the "slasher" movies of today, Twitchell traces our fascination with horror stories and explores why certain myths and images--v...

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In Look Away, Dixieland Vermont-native James Twitchell sets out from his home in Florida on the inauguration day of America's first black president to find the "real" South and to try to figure out the truth about his illustrious ancestor, Marshall Harvey Twitchell -- a carpetbagger and a victim of the Coushatta Massacre (having both his arms shot off), which made the front page of the New York Times in 1873. Twitchell travels from Georgia's O...

Twitchell offers us, through his study of the vampire as a psychological device of Romanticism, a number of stimulating and even startling interpretations of well-known works. In what is perhaps the most rewarding chapter, we are shown how vampirism can be a metaphor of artistic creation itself." --The Modern Language Review

Coke adds life. Just do it. Yo quiero Taco Bell. We live in a commercial age, awash in a sea of brand names, logos, and advertising jingles -- not to mention commodities themselves. Are shoppers merely the unwitting stooges of the greedy producers who will stop at nothing to sell their wares? Are the producers' powers of persuasion so great that resistance is futile?James Twitchell counters this assumption of the used and abused consumer with ...

-- Washington Post Book World

A spirited exploration of the culture created when advertising becomes not just a central institution, but "the" central institution.

The popular critic takes to the road to explore the allure of the nomadic life in a house on wheels.

If you ask men if they spend any time hiding, they usually look at you as if you're nuts. 'What, me hide?' But if you ask women whether men hide, they immediately know what you mean." -- from Where Men Hide Where Men Hide is a spirited tour of the dark and often dirty places men go to find comfort, camaraderie, relaxation, and escape. Ken Ross's striking photographs and James Twitchell's lively analysis trace the evolution of these virtual cav...

A spirited exploration of the culture created when advertising becomes not just a central institution, but "the" central institution.

Where Men Hide" is a spirited tour of the dark and often dirty places men go to find comfort, camaraderie, relaxation, and escape. Ken Ross's striking photographs and James B. Twitchell's lively analysis trace the evolution of these virtual caves, and question why they are rapidly disappearing. They find that for centuries men have met with each other in underground lairs and clubhouses to conduct business or to bond and indulge in shady enter...

From neighborhood supermarkets stocked with designer water to the exclusive boutiques of Madison Avenue, this witty look at spending habits joins "Bobos in Paradise" and "Why We Buy" in capturing what drives the way consumers live (and shop) today.

Economic downturns and terrorist attacks notwithstanding, America's love affair with luxury continues unabated. Over the last several years, luxury spending in the United States has been growing four times faster than overall spending. It has been characterized by political leaders as vital to the health of the American economy as a whole, even as an act of patriotism. Accordingly, indices of consumer confidence and purchasing seem unaffected ...

Coke adds life. Just do it. Yo quiero Taco Bell. We live in a commercial age, awash in a sea of brand names, logos, and advertising jingles -- not to mention commodities themselves. Are shoppers merely the unwitting stooges of the greedy producers who will stop at nothing to sell their wares? Are the producers' powers of persuasion so great that resistance is futile?James Twitchell counters this assumption of the used and abused consumer with ...