Eric Weisbard uses Elvis Presley’s 1956 recording of Big Mama Thornton’s song “Hound Dog” to reflect on the history of rock music, race, commodification, and popular culture.
Eric Weisbard uses Elvis Presley’s 1956 recording of Big Mama Thornton’s song “Hound Dog” to reflect on the history of rock music, race, commodification, and popular culture.
In Songbooks, critic and scholar Eric Weisbard offers a critical guide to books on American popular music from William Billings's 1770 New-England Psalm-Singer to Jay-Z's 2010 memoir Decoded. Drawing on his background editing the Village Voice music section, coediting the Journal of Popular Music Studies, and organizing the Pop Conference, Weisbard connects American music writing from memoirs, biographies, and song compilations to blues novels...
In Songbooks veteran music critic and popular music scholar Eric Weisbard offers a critical guide to American popular music writing, from William Billings's 1770 New-England-Psalm-Singer to Jay-Z's 2010 memoir Decoded.
Use Your Illusion marked the end of rock as mass culture. In this book, Eric Weisbard shows how the album has matured into a work whose baroque excesses now have something to teach us about pop and the platforms it raises and lowers, about a man who suddenly found himself praised to the firmament for every character trait that had hitherto marked him as an irredeemable loser.
Eric Weisbard is Assistant Professor of American Studies at the University of Alabama. His previous books include, as editor, Listen Again: A Momentary History of Pop Music, also published by Duke University Press.
Love it or hate it, the world that radio made has steered popular music and provided the soundtrack of American life for more than half a century. The author studies the evolution of this multicentered pop landscape, along the way telling the stories of the Isley Brothers, Dolly Parton, A&M, Records, and Elton John, among others.