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The theatre and drama of the late Georgian period have been the focus of a number of recent studies, but such work has tended to ignore its social and political contexts. Theatric Revolution redresses the balance by considering the role of stage censorship during the Romantic period, an eraotherwise associated with the freedom of expression. Looking beyond the Royal theatres at Covent Garden and Drury Lane which have dominated most recent acco...

England was a spy culture in the years 1790 through 1820. Restriction, regulation and surveillance formed the dominant discursive context. Ultra-radical artisans developed a discourse based on the revolutionary ideology of Thomas Spence which proposed the corporate ownership of land and the overthrow of the Government by physical force. The Spenceans were considered the most radical of the political groups active during this period, with Willi...

The contemporary design practice known as data sonification allows us to experience information in data by listening. In doing so, we understand the source of the data in ways that support, and in some cases surpass, our ability to do so visually. In order to assist us in negotiating our environments, our senses have evolved differently. Our hearing affords us unparalleled temporal and locational precision. Biological survival has determined...

By 1800 London had as many theatre seats for sale as the city's population. This was the start of the capital's rise as a centre for performing arts. Worrall brings to life a period of extraordinary theatrical vitality, re-examining the beginnings of celebrity culture amidst a monopolistic commercial theatrical marketplace.

The theatre and drama of the late Georgian period have been the focus of a number of recent studies, but such work has tended to ignore its social and political contexts. Theatric Revolution redresses the balance by considering the role of stage censorship during the Romantic period, an era otherwise associated with the freedom of expression. Looking beyond the Royal theatres at Covent Garden and Drury Lane which have dominated most recent acc...

Worrall presents an innovative transposition of social assemblage theory into eighteenth-century British theatre and performance history.

This book analyses developments in Revealed Comparative Advantage (RCA) and Intra-Industry Trade (IIT) in Ukraine, Russia, Poland, Lithuania, Belarus and Moldova with The European Union and The Commonwealth of Independent States between 1996 and 2006. The purpose is to determine the extent to which structural changes occurred, which domestic industries became more competitive and the degree of differentiation which was present. On one hand, RC...

Under the 1737 Licensing Act, Covent Garden, Dury Lane and regional Theatres Royal held a monopoly on the dramatic canon. This work explores the presentation of foreign cultures and ethnicities on the popular British stage from 1750 to 1840. It argues that this illegitimate stage was the site for a plebeian Enlightenment.

Under the 1737 Licensing Act, Covent Garden, Dury Lane and regional Theatres Royal held a monopoly on the dramatic canon. This work explores the presentation of foreign cultures and ethnicities on the popular British stage from 1750 to 1840. It argues that this illegitimate stage was the site for a plebeian Enlightenment.