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Drawing on Western and Chinese social theory and practice, Michael Dutton offers an affective theorization of the political and a political theorization of affect that rethinks politics in the contemporary world.

Maan Barua explores the fraught politics of dwelling between elephants and villagers on land that once harbored colonial plantations in northeastern India, showing how the legacies of colonialism impact the relationship between human and nonhuman life in a time of global environmental upheaval.

Alphonso F. Saville IV examines the life Reverend John Marrant (1755–91), North America’s first Black ordained minister, to show how West African indigenous religious practices were central to his ministry and thought.

Danica Savonick traces the largely untold story of the teaching experience of Toni Cade Bambara, June Jordan, Audre Lorde, and Adrienne Rich at the City University of New York (CUNY) in the late 1960s and early 1970s.

This bilingual English and French edition of Aimé Césaire's three act drama .....And the Dogs Were Silent--written in 1943 and lost until 2008--dramatizes the Haitian Revolution and the rise of Toussaint Louverture as its heroic leader.

Alphonso F. Saville IV examines the life Reverend John Marrant (1755–91), North America’s first Black ordained minister, to show how West African indigenous religious practices were central to his ministry and thought.

Sydney Stutterheim introduces a new figure into histories of Western performance art during the 1970s and 1980s: the accomplice, whose unseen and unacknowledged role questions notions of artistic agency, intellectual property, and authorship.

This bilingual English and French edition of Aimé Césaire's three act drama .....And the Dogs Were Silent--written in 1943 and lost until 2008--dramatizes the Haitian Revolution and the rise of Toussaint Louverture as its heroic leader.

Danica Savonick traces the largely untold story of the teaching experience of Toni Cade Bambara, June Jordan, Audre Lorde, and Adrienne Rich at the City University of New York (CUNY) in the late 1960s and early 1970s.

Margaret Price examines the experiences of disabled academics to show how attempts at providing individual accommodations actually impede rather than enhancing access.

Margaret Price examines the experiences of disabled academics to show how attempts at providing individual accommodations actually impede rather than enhancing access.

Aliyyah I. Abdur-Rahman examines how contemporary avant-garde black art and writing by Wangechi Mutu, Marci Blackman, Alexandria Smith, Colson Whitehead, Toni Morrison, Harmony Holiday, and Essex Hemphill use experimental methods to represent and imaginatively remediate racial harm.

Fire Dreams is a social movement ethnography of Women With A Vision, a New Orleans-based Black feminist collective that has fought for racial justice, reproductive justice, abolition feminism, and climate justice in marginalized communities for thirty-five years.

Jung Joon Lee examines postwar Korean photography across multiple genres and practices, showing how the practice of photography is central to shaping memory of historical events, representing the ideal national family, and motivating social movements.

In this revised and expanded second edition of Third World Studies, Gary Y. Okihiro considers the methods and theories that might inform the field of Third World studies, further articulating its liberatory promise and power.

Jessica L. Horton reveals how Native American art in the mid-twentieth-century mobilized Indigenous cultures of diplomacy to place the earth itself at the center of international relations.

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Jessica L. Horton reveals how Native American art in the mid-twentieth-century mobilized Indigenous cultures of diplomacy to place the earth itself at the center of international relations.

Tithi Bhattacharya maps the role that Bengali ghosts and ghost stories played in constituting the modern Indian nation, and the religious ideas seeded therein, as it emerged in a dialogue with European science.

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