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Jordana Moore Saggese closely examines depictions of Black boxers at the turn of the twentieth century in order to reveal the racist stereotypes implicit in them that continue to structure ideas of Black men.

When Monsters Speak showcases the work of Susan Stryker, a foundational figures in trans studies, from the 1990s to the present.

This volume collects over two dozen of Stuart Hall’s essays, lectures, reviews, catalog texts, and conversations on art, film, and photography, providing rare insights into his engagement with the intellectual and aesthetic space of the visual imaginary.

Rachel H. Brown explores the overlooked labor of migrant workers in Israel’s eldercare industry, showing that live-in eldercare in Palestine/Israel is an often invisible area where settler colonialism is reproduced.

Aisha M. Beliso-De Jesús examines the emergence of “excited delirium syndrome” in the 1980s, a fabricated medical diagnosis used to justify and erase police violence against Black and Brown communities in the United States.

When Monsters Speak showcases the work of Susan Stryker, a foundational figures in trans studies, from the 1990s to the present.

This volume collects over two dozen of Stuart Hall’s essays, lectures, reviews, catalog texts, and conversations on art, film, and photography, providing rare insights into his engagement with the intellectual and aesthetic space of the visual imaginary.

Daughter, Mother, Grandmother, and Whore is the fascinating memoir of Brazilian sex worker and activist Gabriela Leite, who was a pioneering figure in organizing for sex workers’ rights, HIV/AIDS prevention, and grassroots feminism.

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Keiko Lane tells the story of her queer and AIDS activism with the Los Angeles chapters of Queer Nation and ACT UP, showing how in addition to being public advocates, each group was a queer chosen family that took care of each other in sickness and health.

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Keiko Lane tells the story of her queer and AIDS activism with the Los Angeles chapters of Queer Nation and ACT UP, showing how in addition to being public advocates, each group was a queer chosen family that took care of each other in sickness and health.

Aliyyah I. Abdur-Rahman examines how contemporary avant-garde black art and writing by Wangechi Mutu, Marci Blackman, Alexandria Smith, Colson Whitehead, Toni Morrison, Harmony Holiday, and Essex Hemphill use experimental methods to represent and imaginatively remediate racial harm.

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World-renowned author of novels, short stories, and essays Yan Lianke describes his literary project, reflects on censorship in China, and his perspectives on life, writing, and literary history.

Drawing on the history and ethnography of the trans communal life in Istanbul, Asl¿ Zengin traces how trans people in Turkey creatively negotiate and resist everyday cisheteronormative violence.

Drawing on the history and ethnography of the trans communal life in Istanbul, Asl¿ Zengin traces how trans people in Turkey creatively negotiate and resist everyday cisheteronormative violence.