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By unleashing time in each photograph, Alberto Schommer walks firmly toward endurance. In one way or another, with one format or another, his eloquent photographs never stop talking, communicating and exciting. As all good poets of the image, he transports cognitive intention to unexpected areas of curiosity. More than capturing knowledge he activates his feelings to lend emotion to his work. No one can remain indifferent before Alberto Schomm...

La recuperaci3/4n y digitalizaci3/4n de las fotografÝas de MARIN, asÝ como el ciclo de conferencias dirigidas por Rafael Levenfeld y ValentÝn Vallhonrat, le confieren el destacado lugar que merece este autor, que construy3/4 uno de los archivos fotogrßficos mßs importantes del siglo XX.

MIT scientist Harold Edgerton (1903-1990) created and patented a series of high-speed electric flash mechanisms that enabled his cameras to capture the tiniest slices of time, and produced a substantial body of work almost as a by-product. This collection of his images reveal Edgerton as a man obsessed with the paradoxes and wonders of motion.

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Prólogo de Eduardo Mendoza

Encuadernación: Cartoné Idioma bilingüe: Inglés y españolJosé Ortiz Echagüe se propone recuperar con su cámara todos aquellos testimonios del pasado que entronquen con la tradición, como un modo de preservarlos para futuras generaciones antes de que desaparezcan por efecto de la modernidad.El artista se convierte, pues, en un notario de la tradición, pero esa recuperación del pasado no la lleva a cabo desde la mera documentación de la realidad...

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The work of David Jiménez is composed of fragile messages that question reality itself. His photographs are not the result of chance or fortuitous reality, but instead are deliberately ambiguous minimal images composed of dim silhouettes and objects, infinite corners, shadows, blurred focuses, reflections on surfaces ... universes produced with his knowledge of how to interpret space using the best black and white.

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El trabajo de Alberto García-Alix tiene motivos recurrentes pero no se repite: aísla los momentos, ahonda en ellos. Su forma de narrar consiste en centrar la historia en una imagen, es concentrarse en ella.

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Bringing a new perspective to the photographic genre of typologies first established by the Bechers, Spanish photographer Santiago Torralba (born 1977) solicits recurrent geometric patterns from all kinds of architectures, in deserted or dilapidated Spanish landscapes. Against throbbing blue skies, Torralba elicits triangles, semicircles, rectangles and other small signs of order from these chaotic landscapes.

In a year when Spanish curators directed the Venice Biennale for the first time, Antoni Muntadas, representing Spain in the Spanish pavilion, told a reporter that the Biennale "takes its ideas from international fairs. It connotes the theme park. There was exoticism, invention, the new... but by now it is an obsolete structure." Muntadas's On Translation: I Giardini, the latest in a series of often site-specific On Translation projects complet...

Text by Jesus Mateo, Jose Saramago, Federico Mayor Zaragoza, Ernesto Sabato.

The new Spanish photography magazine "Matador "offers its readers the excitement of encountering new photography in splendid large format, with impressive high-quality spreads from great photographers, and serious commentary and writings from the best international photography critics working today. Available for the first time in the U.S., "Matador "makes Barcelona the subject of its latest issue. Barcelona in many ways has come to symbolize ...

Since the beginning of the nineteen eighties, Andres Serrano has addressed the contemporary world's most controversial issues in his images. El dedo en la llaga offers works from the first retrospective held in Spain on his oeuvre. Body fluids, exclusion, fanaticism, religion, illness and death are present in this book. The forcefulness of his images is supported by advertising mechanisms both in lighting and particularly in his use of brief, ...