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The Other Jersey Shore takes readers on a personal tour of the New Jersey portion of the Delaware River and its surroundings, from the archeological remnants of the former King of Spain’s mansion to waterfalls where bears and foxes frolic. Combining history and nature writing, it shares engrossing stories and surprising facts about a river that is both the backbone and lifeblood of the Garden State.

Combining literary analysis with historical research, Thomas Gustafson examines how Philip Roth’s acclaimed 1997 novel American Pastoral draws upon the history of Brookside, New Jersey as its model for the fictional hamlet of Old Rimrock. American Anti-Pastoral peels back myths about the bucolic Garden State countryside to reveal deep fissures within the heart of American democracy.

Combining literary analysis with historical research, Thomas Gustafson examines how Philip Roth’s acclaimed 1997 novel American Pastoral draws upon the history of Brookside, New Jersey as its model for the fictional hamlet of Old Rimrock. American Anti-Pastoral peels back myths about the bucolic Garden State countryside to reveal deep fissures within the heart of American democracy.

Alien Soil: Oral Histories of Great Migration Newark looks at Newark, New Jersey’s once proposed Krueger-Scott African-American Cultural Center and the oral history collection generated to be a part of the Center. The narrators in this oral history collection recount their lives in Newark, painting pictures of everyday urbanity while also providing insight into 20th century Black urban life more generally.

My Race is My Gender is the first anthology by nonbinary writers of color to include photography and visual portraits, centering their everyday experiences of negotiating intersectional identities. Bringing together Black, Indigenous, Latine, and Asian perspectives, its six contributors share their personal stories of working for racial justice and the recognition of queer gender identities.

In Brotherhood University, Brandon A. Jackson examines how a group of collegiate Black men form an emotion culture characterized by vulnerability, loyalty, and trust, which facilitated the creation of brotherhood. This enduring bond provided the men with the necessary social support to navigate the precarity of the transition to adulthood and gendered racism both during and after college.

In Brotherhood University, Brandon A. Jackson examines how a group of collegiate Black men form an emotion culture characterized by vulnerability, loyalty, and trust, which facilitated the creation of brotherhood. This enduring bond provided the men with the necessary social support to navigate the precarity of the transition to adulthood and gendered racism both during and after college.

Latin* Students in Engineering examines the state of Latin* engineering education at present as well as considerations for policy and practice regarding engineering education aimed at enhancing opportunity and better serving Latin* students. The essays in this volume first consider, theoretically and empirically, the experiences of Latin* students in engineering education and then expand beyond the student level to focus on institutional and s...

More than any other films from the classical era, the Hollywood film noir is known for its lighting. Film Noir and the Arts of Lighting offers a new account of this craft, grounded in a larger theory of cinematography as emotionally engaging storytelling. Featuring analyses of The Asphalt Jungle, Touch of Evil, and more.

How does being Soviet-born inflect one’s grasp of Jewishness in North America? Reading across the many English-language works by Soviet-born writers, Soviet-Born: The Afterlives of Migration in Jewish American Fiction demonstrates how these diasporic authors recast such pivotal literary themes as Eastern Europe, the Holocaust, communism, gender and intimacy, and migrant solidarities.

This book chronicles the political and personal lives of progressive activists Richard and Miriam Flacks. Their story, rooted in ‘old left’ childhoods, shaped by the sixties New Left, and culminating in intellectual and community leadership, is a valuable first-hand account of  how progressive American activism has evolved over the last 100 years.

Before 2010, there were no Israeli horror films. The next decade saw a blossoming of the genre by young Israeli filmmakers. New Israeli Horror is the first book to tell their story. Through in-depth analysis, engaging storytelling, and interviews with the filmmakers, Olga Gershenson explores their films from inception to reception.

Using interviews and ethnographic observations, Making It shows how chefs and cooks strive to amass kitchen capital through education, learning how to physically embody expertise, their emotions, and exerting power over others' space and person. And as they do so, how kitchen workers' personal ideas of what it means to succeed and achieve evolve and reform.

This book discusses the ways care ethics contributes to the decentering of dominant epistemologies and to the challenging of privilege, and considers how to decenter care ethics itself via an encounter with non-Western philosophical traditions and alternative epistemologies. Written by scholars from different countries, disciplines and intellectual traditions, the volume offers original care ethics contributions on epistemic injustice, privile...

Reel Kabbalah studies representations of esoteric Jewish conceptual traditions known as Kabbalah and Hasidism in five important fictional films from the first decade of the twenty-first century. The book considers how film both stands in continuity with those traditions and modifies them in the New Age, often mystical vein of what is known as neo-Kabbalah and neo-Hasidism.

Challenging the common assumption that the early 1960s were a drab time for American film, this book makes the bold case that 1962 was a peak year for the movies, giving audiences a prime mix of adult, artistic, and uncompromising work from Hollywood veterans, hot young directors, and international auteurs.

Focusing on Havana Club rum as a case study, Isle of Rum examines the ways in which western cultural producers, working in collaboration with the Cuban state, have assumed responsibility for representing Cuba to the outside world. Christopher Chávez focuses specifically on the role of advertising practitioners, musicians, filmmakers, and visual artists, who stand to benefit economically by selling an image of Cuba to consumers who desperately ...

Performing The News: Identity, Authority, & the Myth of Neutrality explores how journalists from historically marginalized groups have felt pressure to conform when performing for audiences and are increasingly challenging restrictive, supposedly neutral forms of self-presentation. Through in-depth interviews, this book suggests ways to make journalism more inclusive and representative of diverse audiences

Using interviews and ethnographic observations, Making It shows how chefs and cooks strive to amass kitchen capital through education, learning how to physically embody expertise, their emotions, and exerting power over others' space and person. And as they do so, how kitchen workers' personal ideas of what it means to succeed and achieve evolve and reform.

Laboring in the Shadow of Empire: Race, Gender and Care Work in Portugal examines the everyday lives of an African descendant care service workforce that labors in an ostensibly "anti-racial" Europe and against the backdrop of the Portuguese colonial empire. While much of the literature on global care work has focused on Asian and Latine migrant care workers, there is comparatively less research that explicitly examines African care workers an...