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Walking surveys the proliferation of pedestrian practices across contemporary art, taking an avowedly political stance on where and how the three practices of art, walking and writing intersect. Across the world, walking remains a vital way to assert one's presence in public space and discourse. Foregrounding work by Black artists, Indigenous artists and artists of colour, working-class artists, LGBTQI+ artists, disabled artists and neurodiver...

We Started a Nightclub: The Birth of the Pyramid Cocktail Lounge as Told by Those Who Lived It is the story of the beginnings of the club that was the launching pad for countless talented performers, musicians, and artists¿many at the earliest stages of their careers. It begins in 1981 at the last moment in the city¿s history when the East Village was considered a dangerous no man¿s land, rents were cheap, AIDS was still unknown, and a new gen...

Charow spent the past two years creating his first photography book about artists living under the protection of The Loft Law. The law, enacted in 1982, granted protection and rent control to thousands of artists who were living illegally in commercial and manufacturing zoned lofts in neighborhoods like Soho, Tribeca, and the Bowery after the manufacturing industry left New York. Two years ago he found a map of the remaining protected building...

The debut monograph of Sebastian Sabal-Bruce showcases a mesmerizing collection of portraits and landscapes, elegantly woven together in a cinematic and poetic sequence. Primarily featuring the diverse places and faces Sabal-Bruce has encountered throughout his career, this work blurs the lines between fiction and documentary. It subtly weaves a narrative centered on a female protagonist emerging from the confining urban landscapes of cities l...

The book consists of images of a series of works-in-progress that continue an exploration of contemporary portraiture, instinct and abstraction. Classical and conceptual forms create a cohesive whole from seemingly disparate elements, and build what is hopefully an inclusive and complete vision, in which the familiar and unfamiliar are given equal grounding. These works-in-progress include plaster, concrete, rotocast plastics, ceramics, bookma...

This is My Life I'm Talking About by Danny Lyon is a picaresque memoir written from inside the heart of the revolutionary twentieth century by one of its most crucial witnesses. A love story of a beautiful friendship with the great American hero John Lewis. Danny Lyon writes with tremendous and generous feeling, humor, and a selection of unpublished and unseen pictures ties in Danny Lyon¿s life to The Bikeriders. His story begins in Russia und...

Unique view of the 'tronies' in art from the Netherlands Our fascination for faces transcends eras and cultures. Turning Heads - Rubens, Rembrandt and Vermeer highlights a remarkable genre in painting to which little attention has so far been paid: tronies or study heads, which were intended first and foremost to depict an emotion or a character trait. Since the model's identity did not matter, painters could truly go to town with these heads....

Tony Caramanico has lived many lives. A competitive surfer, TV producer, surf shop owner, astute traveler, apprentice and artist, few have experienced more phases of surfing¿s development than Tony. Unlike more established sports, surfing¿s pop cultural adoption began largely in the 50s and 60s. While unfortunately a dying breed, those whöve played a key role in its development are still around to impart their wisdom. Steeped in experience, th...

This introductory monograph presents the monumental work of Puerto Rican born artist Lee Quiñones and follows his evolution over five decades. When 14-year old Lee embarked on his first spray paint mural in 1974, he carried marker drawings into the New York City subway train yards that served as studies to his 52-ft long rolling murals. Drawings and subway photography illustrate how Lee¿s emergence served as a catalyst for what is now acknowle...

In 2015, photographer Ivan McClellan attended the Roy LeBlanc Invitational in Oklahoma, the country¿s longest-running Black rodeo, at the invitation of Charles Perry, director and producer of The Black Cowboy. ¿It was like going to Oz ¿ there was all this color and energy, ¿ McClellan says. ¿There was a backyard barbecue atmosphere. People were doing the Cupid Shuffle in their boots, guys riding around on their horses, the old men were in thei...

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