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With a focus on the dynamics of actors, institutions, and the processes embedded in considerations of regional and cultural diversity, this book traces Canada's sovereignty journey.

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Designed by instructors with long-standing experience in teaching Korean, this textbook covers the essential content for Korean language learning through creativity and motivation.

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Based on decades of extensive archival research, Seen but Not Seen uncovers a great swath of previously-unknown information about settler-Indigenous relations in Canada.

The Soul of Things is a deeply reflective, evocative, and beautifully written memoir. A bestseller in Hungary, where it has been compared to the works of Primo Levi, it marks an important female contribution to the canon of Holocaust writing.

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A highly original and comprehensive reading, The Poetics of Dante's Paradiso challenges established scholarly interpretations to demonstrate that the intricacies of Dante's text reveal a subtle irony, employed to deliver a sharp critique of the corrupt church and empire of his own time.

In Addressing the Letter, Laura A. Salsini considers how the works of authors including the Marchesa Colombi, Sibilla Aleramo, Gianna Manzini, Natalia Ginzburg, and Oriana Fallaci highlight such issues as love, the loss of ideals, lack of communication and connection, and feminist ideology.

In Tuscan Spaces, Silvia Ross focuses on constructions of Tuscany in twentieth-century Italian literature and juxtaposes them with English prose works by such authors as E.M. Forster and Frances Mayes to expose the complexity of literary representation centred on a single milieu.

Kissing the Wild Woman's analysis of this little-known work adds a new dimension to the study of Renaissance aesthetics in relation to art history, Renaissance thought, women's studies, and Italian literature.

The Persistence of Presence analyzes the relationship between emblem books, containing combinations of pictures and texts, and Spanish literature in the early modern period.

The World in Venice shows how Venetian identity came to be envisioned within the growing global context that print constructed for it.