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Presenting a catalogue that focuses on David Adjaye's, one of the leading architects to emerge in Britain, work in the public realm, this title is organised in three sections.

The London Open 2018 is the Whitechapel Gallery triennial exhibition, showcasing some of the most dynamic work being made across the capital in 2018.

Part of the acclaimed series of anthologies which document major themes and ideas in contemporary art. Explores the processes and techniques which function within the field of contemporary art yet challenge its boundaries and even its existence.

Part of the acclaimed series of anthologies which document major themes and ideas in contemporary art. Contextualises a recent focus on the subject of work in art, addressing work's meaning both within art and in its wider economic and social context.

The Graphic Century reveals the symbiotic relationship that exists between graphic design and art. Structured chronologically, the publication presents a survey of posters dating back to 1903. Although they are brought together from the archives of just one institution - the Whitechapel Gallery - they are emblematic of wider ideological, technical and aesthetic tendencies.

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Accompanying a year-long display of the ISelf Collection at the Whitechapel Gallery, this publication examines contemporary artists' responses to individual identity, the body and the human condition. From Surrealist selfies to feminist self-portraiture, the ISelf Collection explores identity and the human condition through the central themes of birth, death, sexuality, love, pain and joy. Taking the display of the collection at Whitechapel Ga...

Jennifer Higgie is the co-editor of frieze magazine. She has published writings on such contemporary artists as Ricky Swallow, Magnus Von Plessen and David Noonan.

ON&BY, is a new series of anthologies devised by London's Whitechapel Gallery combining the writings of an internationally significant artist of our time with key texts on his or her work. The first title in the series is dedicated to the Belgian artist Luc Tuymans, one of the most influential figurative painters working today.

Charles Merewether is an art historian and writer on post-war and contemporary art. He has taught at universities in Mexico, Australia, Europe and North America. From 1994 to 2004 he was Collections Curator at the Getty Research Institute, Los Angeles. He was Artistic Director and Curator for the 2006 Sydney Biennale.

Part of the acclaimed series of anthologies which document major themes and ideas in contemporary art. Includes a newly commissioned poem by the artist Joan Jonas.

Julian Stallabrass teaches Art History at the Courtauld Institute of Art, London. His books include Gargantua: Manufactured Mass Culture (1996), High Art Lite: The Rise and Fall of Young British Art (1999) Internet Art: The Online Clash Between Culture and Commerce (2003) and Art Incorporated (2004).

Comprehensively surveys and looks beyond the phenomenon of 'design art' that has emerged since the Pop and Minimalist era: practices that blur traditional boundaries between art, architecture, graphics, and product design. This book includes debates about form and function, the everyday, the collective and the utopian contextualized historically.

In May 2010, Glasgow-based sculptor Claire Barclay made an installation titled "Shadow Spans" for the Whitechapel Gallery in London. Barclay attached clothes, birdcages and other objects to frames recalling windows and doors, suggesting a collapsed interior, which several dancers use as a set throughout the work's year-long installation. This volume records the occasion.

Felicity Allen is a London-based artist, educator and writer. A founder member of the Women縮 Art Library, she has held lecturing positions at Goldsmiths and other leading art schools and was Head of Learning at Tate Britain (2003�). She is a guest scholar at the Getty Research Institute 2011�12

Brian Dillon is the UK editor of Cabinet and the author of In the Dark Room, Sanctuary, and The Hypochondriacs. He is an editorial board member of TATE Etc. and Art Review, and a regular contributor to numerous journals including Artforum and frieze. Since 2008 he has been AHRC Research Fellow in the Creative and Performing Arts at the University of Kent, Canterbury

Published to accompany the exhibitions held at the Whitechapel Gallery, London, 10 June 2010-22 May 2011.