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Nine of today's most celebrated Hispanic writers reveal themselves and their concerns, and how the latter are reflected in their work. The writers are Ricardo Piglia, Antonio Muqoz Molina, Juan Josi Millas, Josi Marma Merino, Enrique Vila-Matas, Quim Monzs, Cristina Fernandez Cubas, Pedro Zarraluki and Ray Loriga. The interviews allow readers closer personal acquaintance with the subjects, their fiction and their cultural circumstances, in ...

César Vallejo paradoxically discounted the modernist significance of his avant-garde masterpiece, Trilce, published in 1922. Yet, in these poems, the renowned Peruvian writer played with the Spanish language, incorporating neologisms, typographic innovations, radical syntax, symbols and shocking imagery.

María Félix (1914-2002) left her mark on Mexican and European film as well as fashion, art, and jewellery design. Cartier created one-of-a-kind pieces, Leonora Carrington and Diego Rivera painted portraits, Carlos Fuentes wrote a play, Agustín Lara, a bestselling song. But she was nobody's muse.

How does popular culture reflect and shape identity politics in the secessionist climate of contemporary Catalonia?

In contemporary Latin America, an emerging crosscurrent of pioneering female writers and artists with an interest in transgressing traditional boundaries of genre, media, gender and nation are using their work to voice dissent against pressing social issues including neo-liberal consumerism, environmental degradation, mass migration and gender violence.

Combining a rich depiction of historical customs with genuine admiration for the Muslim legacy of Andalucia, El ferí de Benastepar is a previously unknown novel by Spanish writer José Miguel Hué y Camacho (1803-1841) that relates the doomed romance between Castilian lady Elvira de Castro and the eponymous ferí de Benastepar, Abenamet, a morisco chief.

Volume V of the first complete English translation of the chronicles of Fernão Lopes, containing the general bibliography and a comprehensive index containing all people and place names mentioned in the chronicles

Volume I of the first complete English translation of the chronicles of Fernão Lopes chronicles the reign of Pedro I (1357-67), dubbed both 'the Just' and 'the Cruel', including his dealings with the kingdom of Castile, the war between Castile and Aragon, and the revenge he took on the men who murdered the woman he loved, Inês de Castro.

Volume II of the first complete English translation of the chronicles of Fernão Lopes chronicles the reign of Fernando I (1367-1383) including Portugal's involvement in the Hundred Years' War, the military conflicts with Castile, the alliances with England, Aragon and Granada, the king's marriage with Leonor Teles, and the dispute over the succession to the Portuguese throne.

Volume III of the first complete English translation of the chronicles of Fernão Lopes chronicles the War of Succession (1383-1385), the rise of the House of Avis under João I, and his acclamation by the Cortes in Coimbra.

Volume IV of the first complete English translation of the chronicles of Fernão Lopes chronicles the Battle of Aljubarrota (1385), which secured the throne for João I, his marriage to Philippa of Lancaster, and his reign up to 1411.

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How have sociopolitical fears been enacted, represented and performed in societies marked by repression, conflict and abuse of power? And how has this emotion shaped aesthetic and ideological discourses and cultural productions?

A new and innovative approach to Latin American Studies which makes an important contribution to contemporary debates about cultural appropriation and the integration of immigrant communities

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