In this methodologically innovative study, Eskin construes Levinas's ethical philosophy in conjunction with Bakhtin's philosophy of the act and metalinguistics, as an interpretative framework for making sense of Celan's dialogue with Mandel'shtam. In so doing, he develops a sophisticated mode of reading poetry-poethics-which takes into account both the ethical significance of poetry and the poetic significance of ethical philosophy, and opens new vistas on to the
workings of European modernist and post-World War II poetry.