Jean B., the narrator of Patrick Modiano's Honeymoon, is submerged in a world where day and night, past and present, have no demarcations. Having spent his adult life making documentary films about lost explorers, Jean suddenly decides to abandon his wife and career, and takes what seems to be a journey to nowhere. He pretends to fly to Rio to make another film, but instead returns to his own Parisian suburb to spend his solitary days recounting or imagining the lives of Ingrid and Rigaud, a refugee couple he had met twenty years before, and in whom he had recognized a spiritual anomie that seemed to reflect and justify his own. Little by little, their story takes on more reality than Jean's daily existence, as his excavation of the past slowly becomes an all-encompassing obsession.