La Cerca”, Fenci's solo exhibition included twenty-four ceramic pieces, a 5-foot-by-9-foot drawing and several smaller drawings, and is the culmination of two years of work. All of the works in some way or another deal with defense strategies, and so Fenci chose the Spanish translation for "The Wall” as the exhibition's title. In addition to this photographed collection of Fenci's work are essays by David A. Lewis, Scott Robinson, Adan Saenz, and others.