An experimental monograph that explores Nathaniel Mellors's linguistic manipulation , absurdist comedy and aspects of video , sculpture , performance and critical writing interwoven in his work. Featuring a selection of his original scripts from 2006 onward that have since been developed into video and installation works , including Ourhouse (2010) and Brain One-Mózg Jeden (2006). Contributions by artist and writer Mick Peter and art critic John C. Welchman.