This collection of essays explores the relationship between Hurricane Katrina and a range of media forms, assessing how mainstream and independent media have responded (sometimes innovatively, sometimes conservatively) to the political and social ruptures "Katrina" has come to represent. Looking closely at the organization of public memory of Katrina, this collection provides a timely and intellectually fruitful assessment of the complex ways in which media forms and national events are currently entangled. The contributors explore how Hurricane Katrina is positioned at the intersection of numerous early twenty-first century crisis narratives centralizing uncertainties about race, class, region, government and public safety"--