Source: Wikipedia. Pages: 25. Chapters: Silpathorn Award winners, Thai animators, Thai painters, Apichatpong Weerasethakul, Wisit Sasanatieng, Pen-Ek Ratanaruang, S. P. Somtow, Nonzee Nimibutr, Aditya Assarat, Payut Ngaokrachang, Win Lyovarin, Bunleua Sulilat, Navin Rawanchaikul, Hem Vejakorn, Rirkrit Tiravanija, Chalermchai Kositpipat, Vasan Sitthiket, Ungsumalynn Sirapatsakmetha, Chart Korbjitti, Michael Shaowanasai, Pimpaka Towira, Thunska Pansittivorakul, Fua Haripitak, Narisara Nuvadtivongs, Bundit Ungrangsee, Silpa Bhirasri, Saneh Sangsuk, Nat Yontararak, Supot Anawatkochakorn, Saksiri Meesomsueb, Paiwarin Khao-Ngam, Dnu Huntrakul, Surojana Sethabutra. Excerpt: Apichatpong "Joe" Weerasethakul (Thai: , born July 16, 1970) is a Thai independent film director, screenwriter, and film producer. His feature films include Uncle Boonmee Who Can Recall His Past Lives, winner of the prestigious 2010 Cannes Film Festival Palme d'Or prize, Tropical Malady, which won a jury prize at the 2004 Cannes Film Festival, Blissfully Yours, which won the top prize in the Un Certain Regard program at the 2002 Cannes Film Festival, and Syndromes and a Century, which premiered at the 63rd Venice Film Festival and was the first Thai film to be entered in competition there. Working outside the strict confines of the Thai film studio system, Weerasethakul has directed several features and dozens of short films. Themes reflected in his films (frequently discussed in interviews) include dreams, nature, sexuality (including his own homosexuality), and Western perceptions of Thailand and Asia, and his films display a preference for unconventional narrative structures (like placing titles/credits at the middle of a film) and for working with non-actors. Cinephiles affectionately refer to him as "Joe" (a nickname that he, like many with similarly long Thai names, has adopted out of convenience). Apichatpong Weerasethkul was born in Bangkok, Thailand. His parents were both physicians, and worked in a hospital in Khon Kaen, Thailand. He attended Khon Kaen University and received a bachelor's degree in architecture in 1994. He made his first short film, Bullet, in 1993. He attended the School of the Art Institute of Chicago and received a master's degree in fine arts in filmmaking in 1997. He is of Chinese ethnic roots. His feature-length debut, Dokfa nai meuman (Mysterious Object at Noon) blends documentary footage and improvised narrative, and was conceptually based upon the exquisite corpse game invented by surrealists. He formed his own production company, Kick the Machine, in 1999, through which he produces and promotes his own works, and provides support