Finley is at the peak. A white super-rich man in his world of male white supremacy. The builder of the Space Hotel. The successful entrepreneur who is daily in the news.
He notices Ana Maria, a singer with a superb bod. She is brown. Thereby, he asks his aide to bring her to his suite.
His problems start there. He looked at the bod, at her brownness, at the inferior being who must comply with his wishes. Such is the tenet in the place and country where he lives. A place where your DNA is white, or you are nothing.
He is from a country where only male whites are citizens. A country that belongs to Finley and his friends. He is American.
Yet, Ana Maria is much more than a brown singer. Much more than her supreme bod. She is a dangerous beauty. She is a deathtrap.

Soon Finley grasps he is entrapped in Ana Maria's machinations, where being brown is an asset and being a woman is heavenly.